Thu, 22 February 2018
Episode No. 329 features curators Lynette Roth and Mazie Harris.
Roth is the curator of "Inventur -- Art in Germany, 1943-55," which is at the Harvard Art Museums through June 3. It is the first exhibition to examine art made in Germany by artists who stayed in Germany throughout World War II. "Inventur" presents more than 160 works made by 50 artists, art made when Germans were forced to acknowledge and address the war, the Holocaust, their defeat and occupation by the Allies, and the beginning of the Cold War. The fascinating exhibition catalogue, which is full of new discoveries and analysis, was published by Yale University Press. Amazon offers it for $55.
Roth, the curator of the Busch-Reisinger Museum and the head of modern and contemporary art at HAM, was previously a guest on Episode No. 192, when she discussed her catalogue of the Saint Louis Art Museum's Max Beckmann collection.
On the second segment, J. Paul Getty Museum curator Mazie Harris discusses "Paper Promises: Early American Photography," which is at the Getty from Tuesday, February 27 through May 27. The exhibition examines why daguerreotypes-loving Americans were so much slower to embrace paper photography than other nations, and what prompted the belated switch. The terrific catalogue for the exhibition is full of surprising history and is published by the Getty. Amazon lists it at $50.
Thu, 15 February 2018
Episode No. 328 of The Modern Art Notes Podcast features artists Deborah Luster and curator Béatrice Gross.
Deborah Luster is featured in Aperture magazine's spring issue, titled "Prison Nation". It spotlights how artists have responded to America's astronomical incarceration rate. The magazine will feature a suite of pictures Luster made in 2013 at Louisiana State Penitentiary at Angola, a maximum-security prison. They show actors in The Life of Jesus Christ, a passion play staged by prisoners for the general public. Luster's photographs are also on view in Aperture's New York gallery, which is showing pictures from the issue through March 7.
Concurrently, Luster's work with poet C. D. Wright is on view in "The Art of Collaboration," an exhibition at the Beinecke Rare Book and Manuscript Library at Yale University. The exhibition examines how separate elements may come together to make projects deeper and more meaningful. Curated by Melissa Barton, Elizabeth Frengel and Nancy Kuhl, it will be on view through April 15.
Luster's work has most often looked at circles of violence and how they perpetuate themselves. Her work, including portraits of Louisiana prisoners and of places in New Orleans where homicides were committed, is in the collections of dozens of museums such as the Whitney Museum of American Art, the San Francisco Museum of Modern Art.
On the second segment, curator Béatrice Gross discusses her exhibition "François Morellet," which is at Dia's Beacon and Chelsea locations through June 2. Morellet was a pioneering conceptualist whose abstract work was often built around systems and, later, randomness. This is the first in-depth examination of Morellet's work in the United States in over three decades. Gross's exhibition brochure is available for free download.
Thu, 8 February 2018
Episode No. 327 of The Modern Art Notes Podcasts features artists Deborah Roberts and Anita Witek.
The Spelman College Museum of Art is showing "Deborah Roberts: The Evolution of Mimi" through May 19. The exhibition features work Roberts has made in the last half-decade, work that uses collage and girlhood to examine issues of race, gender, and America's present condition. It was curated by Andrea Barnwell. San Francisco's Jenkins Johnson Gallery just opened an exhibition of Roberts's work called "Uninterrupted." It's on view through March 17.
Deborah Roberts was recently included in the group exhibition "Fictions" at the The Studio Museum in Harlem. Her work is in the collections of the Studio Museum, the Blanton at the University of T exas, and the Block Museum of Art at Northwestern University.
The Spelman College Museum has uploaded a conversation between Barnwell and Roberts. Part one is here.
On the second segment, Anita Witek discusses her new installation at the Wexner Center for the Arts. The work, titled Clip, is Witek's first site-specific photomontage to be shown in the United States. It's on view at the Wexner through April 15. Witek has previously shown at the Kunsthaus Wien, the Kunsthalle Graz, at the Leopold Museum and at many other European venues.
Thu, 1 February 2018
Episode No. 326 of The Modern Art Notes Podcast features curators Betsy Kornhauser and Joel Smith.
Along with Tim Barringer, Kornhauser is the co-curator of "Thomas Cole's Journey: Atlantic Crossings," which is at the Metropolitan Museum of Art through May 13. The exhibition examines Cole's origins in the north of England during the Industrial Revolution and the impact Britain and travels through England and Italy had on Cole's career. The exhibition is the first time Cole's work has been examined in the context of Cole's European experiences and aims to present Cole as not just an American figure, but as a trans-Atlantic figure. The outstanding exhibition catalogue was published by the Met and is distributed by Yale University Press. Amazon offers it for $65.
On the second segment, Smith discusses "Peter Hujar: Speed of Life." The exhibition, on view at The Morgan Library through May 20, includes 140 photographs and surveys Hujar's entire career. The exhibition catalogue, published by Aperture, is easily the most important publication about Hujar. Amazon sells it for $34.
Thu, 25 January 2018
Episode No. 325 of The Modern Art Notes Podcast features part two of host Tyler Green's conversation with artist Wayne Thiebaud. On the second segment, Green and curator and museum director Kathryn Kanjo remember Jack Whitten.
Thiebaud is one of the world's greatest living painters. The Manetti Shrem Museum of Art at the University of California, Davis has just opened "Wayne Thiebaud, 1958-1968," an examination of Thiebaud's early work and a look at how he developed his signature style and subjects.
Thu, 18 January 2018
Episode No. 324 of The Modern Art Notes Podcast features artist Wayne Thiebaud and curator Julia Dolan.
Thiebaud is one of the world's greatest living painters. The Manetti Shrem Museum of Art at the University of California, Davis has just opened "Wayne Thiebaud, 1958-1968," an examination of Thiebaud's early work and a look at how he developed his signature style and subjects. The exhibition was curated by Rachel Teagle and is on view through May 13. The exhibition's strong catalogue was published by the museum in association with University of California Press. Amazon offers it for $43.
This is part one of host Tyler Green's conversation with Thiebaud. Part two will air next week.
On the second segment, Portland Art Museum curator Julia Dolan discusses her exhibition "In the Beginning: Minor White's Oregon Photographs," which is on view through October 21. White is best known for co-founding Aperture magazine, establishing the photography program at the Massachusetts Institute of Technology and work he made in the mid-20th century (which curator Paul Martineau discussed on The MAN Podcast on the occasion of a 2014 exhibition at the J. Paul Getty Museum). Dolan's exhibition features the work with which White effectively began his career in the late 1930s, work White made for the Oregon Art Project, a division of the federal Works Project Administration. The exhibition is split into two phases; the first, featuring works of Portland's industrial infrastructure and more, is up through May 6.
Thu, 11 January 2018
Episode No. 323 of The Modern Art Notes Podcast features curator Deborah Wye and artist Livia Corona Benjamin.
Wye curated "Louise Bourgeois An Unfolding Portrait," which is on view at the Museum of Modern Art, New York through January 28. She is the world's foremost expert on Bourgeois's work. The exhibition, mostly taken from MoMA's collection, features 300 works, mostly prints and works on paper, but also works on cloth, sculptures and more. In association with the exhibition and its long-term commitment to Bourgeois's (and Wye's) work, MoMA has published an online catalogue raisonne of Bourgeois's prints and books. It features over 4,300 works. The exhibition is also accompanied by an excellent MoMA-published catalogue. Amazon offers it for $34.
Several of the artist's books that host Tyler Green and Wye discussed can be 'paged' through in their entirety on MoMA's Bourgeois website, including:
On the second segment, artist and photographer Livia Corona Benjamin discusses her work. She's included in "Home -- So Different, So Appealing," which is at the Museum of Fine Arts, Houston through January 21. The exhibition, a Pacific Standard Time-series exhibition that debuted at the Los Angeles County Museum of Art and which was co-curated by MFAH's Mari Carmen Ramírez, Chon Noriega and Pilar Tompkins Rivas, looks at how artists have used the concept of 'home' to examine socioeconomic and political changes in the Americas.
To see more from the two Corona Benjamin series discussed on the program, visit her website:
Thu, 4 January 2018
Episode No. 322 of The Modern Art Notes Podcast features curators Ilona Katzew and Kenneth Myers.
Along with Jaime Cuadriello, Paula Mues Orts, and previous MAN Podcast guest Luis Elena Alcala, the Los Angeles County Museum of Art's Ilona Katzew is a co-curator of "Painted in Mexico, 1700-1790: Pinxit Mexici." The exhibition is a broad survey of a many kinds of 18th-century Mexican painting, including religious narratives, altarpieces, portraits, casta painting and more. It is on view at LACMA through March 18. The remarkable exhibition catalogue was published by DelMonico Prestel. Amazon offers it for $60.
Katzew is one of the world's foremost experts on New Spanish painting. She was previously on the program to discuss LACMA's acquisition of a significant Miguel Cabrera casta painting.
On the second segment, Detroit Institute of Arts curator Kenneth Myers discusses "Church: A Painter's Pilgrimage." The exhibition considers the paintings Frederic Edwin Church made in the late 1860s and 1870s of his trip to the Middle East and the Mediterranean. It's on view in Detroit until January 15. The exhibition's strong catalogue was published by the DIA. Amazon offers it for $41.
Thu, 28 December 2017
Episode No. 321 of The Modern Art Notes Podcast is a holiday weekend re-air of host Tyler Green's March conversation with National Gallery of Art curator Diane Waggoner.
Waggoner is the curator of “East of the Mississippi: Nineteenth-Century American Landscape Photography.” For several decades, the story of America’s nineteenth-century photographic history has mostly run through the West. Waggoner’s exhibition instead looks at how photographers looked at the region between the Mississippi River and the Atlantic Ocean. The exhibition features 175 nineteenth-century photographs, including daguerreotypes, salted paper prints, albumen prints, stereographic prints and even paintings. It debuted at the National Gallery of Art this past spring, and it's now at the New Orleans Museum of Art, where it will be on view through January 7. The exhibition catalogue was published by the NGA and Yale University Press. Amazon offers it for $41.
Images of art discussed on the program are available here.
Thu, 21 December 2017
Episode No. 320 of The Modern Art Notes Podcast is a holiday weekend re-air of host Tyler Green's June, 2017 conversation with Leah Dickerman.
Along with the Tate Modern's Achim Borchardt-Hume, Dickerman is the co-curator of "Robert Rauschenberg: Among Friends," a retrospective at the San Francisco Museum of Modern Art through March 25. The exhibition features Rauschenberg's early photography, body prints, combines, performances, prints and more. The exhibition catalogue was published by MoMA.