Thu, 30 November 2017
Episode No. 317 of The Modern Art Notes Podcast features curators Carmen Bambach and Alexandra Munroe.
Bambach is the curator of "Michelangelo: Divine Draftsman and Designer" at the Metropolitan Museum of Art in New York. The exhibition, which features 133 drawings, three sculptures, a painting and a wood architectural model, all by Michelangelo, and contextualizing contemporary works by his teachers, peers and pupils, is on view through February 12, 2018. The lavish, extensive exhibition catalogue was published by the Met and is distributed by Yale University Press. Amazon offers it for $58.
Bambach is a curator at the Met. Her previous exhibitions include a 2010 survey of Bronzino's drawings, a 2003 exhibition of Leondardo da Vinci's drawings, and a 2001 show spotlighting the draftsmanship of Correggio and Parmigianino.
On the second segment, Solomon R. Guggenheim Museum curator Alexandra Munroe discusses "Art and China After 1989: Theater of the World." The exhibition, which presents work made in or about China by 71 artists and groups between 1989 and the 2008 Beijing Olympics, is at the Guggenheim through January 7, 2018. Munroe co-curated the exhibition with Philip Tinari and Hon Hanru.
Thu, 23 November 2017
Episode No. 316 of The Modern Art Notes Podcast features Raw Material hosts Jessica Placzek and Maddie Gobbo and artist Andrea Chung.
This week the San Francisco Museum of Modern Art's Raw Material podcast began its third season. This season's hosts are Jessica Placzek, a reporter for San Francisco National Public Radio affiliate KQED, and Madeline Gobbo, an illustrator and graduate fiction candidate at the University of California, Davis. Season Three of Raw Material looks at California's land and landscapes and how artists and other creatives have made work there.
On the second segment, we'll hear a conversation between host Tyler Green and artist Andrea Chung from July. At the time the Museum of Contemporary Art San Diego was presenting an exhibition of Chung's work. Now she's in a two-artist installation at the California African American Museum in Los Angeles, as well as the Prospect 4 triennial in New Orleans.
Thu, 16 November 2017
Episode No. 315 of The Modern Art Notes Podcast features photographer Beuford Smith and audio from "Teenie Harris Photographs: In Their Own Voice" at the Carnegie Museum of Art in Pittsburgh.
With American art institutions increasingly looking at the long-neglected field of photography by African-Americans, this week's program looks at the work of two museums trying to tell a more complete story of America's history and art history.
The Virginia Museum of Fine Arts in Richmond is now showing "Like a Study in Black History: P.H. Polk, Chester Higgins and The Black Photographers Annual, Volume 2." The Black Photographers Annuals were books that were created, published and edited by black artists and that featured the work of black photographers. The Annual was co-founded by Joe Crawford and photographer and editor Beuford Smith, who is the guest on the first segment of this week's MAN Podcast.
Curated by Sarah Eckhardt, "Like a Study in Black History" is on view through April 15, 2018. It is the second in a series of VMFA collection rotations exploring the four volumes of The Black Photographers Annual (1973-80). (The first exhibition may be accessed here.) In conjunction with the exhibitions, Smith granted the VMFA a license to present the four volumes of The Black Photographers Annual online for two years. Each volume may be accessed here:
Smith is social documentarian who was a founding member of the Kamoinge Workshop (which he later led), a black photography collective. His work is in the collections of the Museum of Modern Art, New York, the New York Public Library and the VMFA; the Studio Museum in Harlem and the International Center for Photography in New York have held exhibitions of his work.
The second segment looks at "Teenie Harris Photographs: In Their Own Voice," an exhibition at the CMOA through January 28, 2018. The show, the CMOA's latest in a series of examinations of its Teenie Harris Archive, pairs oral histories with Harris's pictures. This week's program features six audio clips from those oral histories; the related photographs are below.
The oral histories were collected by Ben Houston for the Remembering African American Pittsburgh project at Carnegie Mellon University (which Houston leads). The project was developed by CMU's Center for Africanamerican Urban Studies & the Economy.
Thu, 9 November 2017
Episode No. 314 of The Modern Art Notes Podcast features artists An-My Lê and Katherine Bradford.
An-My Lê is in two exhibitions at the Yale University Art Gallery: "Artists in Exile: Expressions of Loss and Hope," which considers the work of artists who have left the countries of their birth, and "Before the Event/After the Fact: Contemporary Perspectives of War," which examines how photographers have portrayed war. "Artists in Exile" was curated by Frauke V. Josenhans; "Before the Event/After the Fact" was organized by Judy Ditner. Both exhibitions are on view through Dec. 31. The catalogue for "Artists in Exile" was published by Yale University Press. Amazon offers it for $45.
Lê is a Vietnamese-American photographer whose work considers the confluence of war, landscape and memory. Her series include:
Lê has had solo exhibitions at the Baltimore Museum of Art, Dia Beacon and MoMA PS1. In 2012 she won a MacArthur 'genius' grant.
On the second segment, Katherine Bradford discusses recent work on the occasion of "FOCUS: Katherine Bradford" at the Modern Art Museum of Fort Worth. The exhibition, curated by Alison Hearst, is on view through January 14, 2018. This fall she'll be exhibiting in Prospect 4, the New Orleans biennial that is curated by Nasher Museum of Art at Duke University curator Trevor Schoonmaker.
Bradford's paintings often address traditional painting standards, such as bathers or swimmers, with verve and freshness. Bradford has been included in group exhibitions at museums such as MoMA PS1 and the Pennsylvania Academy of Fine Arts. Her paintings are in the collections of museums such as the Metropolitan Museum of Art, the Brooklyn Museum, and the Smith College Museum of Art.
Thu, 2 November 2017
Episode No. 313 of The Modern Art Notes Podcast features artist Thomas Struth.
The Saint Louis Art Museum is set to open "Thomas Struth: Nature & Politics," a survey of 35 works Struth has made over the last decade. It opens to members tomorrow, Friday, November 3, and to the general public on November 5. It will remain on view through January 21. The exhibition was co-organized by the Museum Folkwang, Essen, Martin-Gropius-Bau, Berlin, and the High Museum of Art in Atlanta in collaboration with SLAM, whose installation was organized by Eric Lutz. The exhibition's catlaogue was published by Mack. Amazon offers it for $41.
Thomas Struth is one of the world's most prominent photographers. His work often looks at the construction of places, including most recently places that he describes as being weirdly invisible. His most recent retrospective, "Thomas Struth, Photographs 1978-2010," was organized by the Kustsammlung Nordrhein-Westfalen, in his hometown of Dusseldorf, the Whitechapel in London and the Museu Serralves in Porto, Portugal. His last American retrospective was in 2002-03, at the Dallas Museum of Art, the Museum of Contemporary Art, Los Angeles, the Metropolitan Museum of Art and the MCA Chicago.