Thu, 12 July 2018
Episode No. 349 features artist Sylvia Plimack Mangold and curator Naoko Takahatake.
Mangold is included in "Studio Visit: Selected Gifts from Agnes Gund," which was organized by MoMA's Ann Temkin and Cara Manes and is on view through July 22.
Mangold is among the most prominent painters to respond to emerge in the late 1960s in response to a decade dominated by minimalism and pop art. Her paintings, seemingly rooted in realism but often undermining it, played with perspective, flatness, and often engaged the centuries-long tradition of painters making paintings about painting. In 1994 the Albright-Knox Art Gallery organized a major retrospoective of her paintings; two years earlier the University of Michigan Museum of Art organized a works on paper survey. Her work has long been collected by major museums such as the Kunstmuseum Winterthur in Switzerland, the Saint Louis Art Museum, the Nelson-Atkins, the Metropolitan, Brooklyn, the Whitney and more.
On the second segment, Los Angeles County Museum of Art curator Naoko Takahatake discusses "The Chiaroscuro Woodcut in Renaissance Italy," which is on view at LACMA through September 16. The exhibition charts the rapid and rich development of the chairoscuro woodcut from its introduction to Italy in 1516 until the end of the sixteenth century. The exhibition is the first major presentation on the subject in the United States. The fantastic exhibition catalogue was published by LACMA and DelMonico Prestel. Amazon offers it for $59.
Thu, 5 July 2018
Episode No. 348 is a holiday weekend clips episode with curator Betsy Kornhauser.
Along with Tim Barringer, Kornhauser is the co-curator of "Thomas Cole: Eden to Empire," which is at the National Gallery in London through October 7. (The re-titled exhibition debuted at the Metropolitan Museum of Art in January as "Thomas Cole's Journey: Atlantic Crossings.") Barringer and Kornhauser's show examines Cole's origins in the north of England during the Industrial Revolution and the impact Britain and Cole's travels through England and Italy had on his American career. It is the first time Cole's work has been examined in the context of his European experiences, and aims to present Cole as not just an American figure, but as a trans-Atlantic figure. The outstanding exhibition catalogue, one of the best of 2018, was published by the Met and is distributed by Yale University Press. Amazon offers it for $65.
For images of art discussed on this week's program, see Episode No. 326.
Thu, 28 June 2018
Episode No. 347 features artists Thomas Scheibitz and B. Ingrid Olson.
Thomas Scheibitz is included in "Inherent Structures" at the Wexner Center for the Arts. The exhibition features 16 artists who complicate abstract painting's traditional association with chance and aesthetic purity with work that addresses concerns that range from an exploration of materials and paints to the artists' sociopolitical interests. The exhibition was curated by Michael Goodson and is on view through August 12.
Scheibitz is a Berlin-based painter and sculptor known for developing a distinct abstract language compiles references to objects and forms into colorful wholes. In 2005 Scheibitz represented Germany at the Venice Biennale in a two-person presentation with Tino Sehgal. The Museum for Modern Art in Frankfurt presented his first retrospective in 2012. Other major solo exhibitions have been at the Kunstmuseum Bonn, the Irish Museum of Modern Art in Dublin, and the Camden Arts Centre in London.
B. Ingrid Olson is included in "Being: New Photography 2018," which is on view at the Museum of Modern Art, New York through August 19. The exhibition was curated by Lucy Gallun. Concurrently, Olson is in "Picture Fiction: Kenneth Josephson and Contemporary Photography," which was curated by Michael Darling and Lauren Fulton. It's at the Museum of Contemporary Art Chicago through December 30. She's also in a two-person show at San Francisco's Jessica Silverman Gallery through July 14. Olson's work, which includes both photography and sculptural elements uses the body, her body, to explore gender, architecture, space, and form. The Albright-Knox Art Gallery just concluded Olson's first museum show, "B. Ingrid Olson: Forehead and Brain," which was curated by Holly E. Hughes.
Thu, 21 June 2018
Episode No. 346 features historian and artist Nell Painter and artist Mark Ruwedel.
Painter is the author of Old in Art School: A Memoir of Starting Over, which is out this week from Counterpoint Press. The "starting over" of the title refers to Painter's retirement after a elite career as an Ivy League historian to return to college as a sixty-something student -- first to take undergraduate studio art courses at Rutgers, then to pursue an MFA at the Rhode Island School of Design. Painter's memoir details her interactions with students and faculty, and how she tried to think through how to make art after having spent decades teaching and writing history.
Before going to art school, Painter was one of America's most distinguished historians. She is the Edwards Professor of American History, Emerita, at Princeton University. Her books include Standing at Armageddon, Sojourner Truth: A Life, A Symbol, and the New York Times bestseller The History of White People. She is a past president of both the Organization of American Historians and the Southern Historical Association.
Amazon is offering Old in Art School for about $15 in both Kindle and hardcover.
On the second segment, an excerpt from host Tyler Green's 2017 conversation with Mark Ruwedel. The Tate Modern is showing an extensive selection of Ruwedel's through December 3, an installation that was curated by Sarah Allen and Simon Baker. The Ruwedels in London include work from most parts of his career, including his famed railway cuts and his so-called pictures from hell, photographs of Western landscape features named for the devil or his (his?) underworld home. Ruwedel is also included in an exhibition the Denver Art Museum opens this weekend: "New Territory: Landscape Photography Today," a survey of global landscape photography. Curated by Eric Paddock, it's on view through September 16.
Thu, 14 June 2018
Episode No. 345 features artist Ursula von Rydingsvard.
The Fabric Workshop and Museum in Philadelphia is presenting "Ursula von Rydingsvard: The Contour of Feeling," an exhibition of roughly 20 von Rydingsvards mostly made since 2000. Curated by Mark Rosenthal, the show is on view through August 26. The exhibition catalogue, which is not yet available, will be published by FWM and Hirmer. In addition, the Philadelphia Museum of Art is showing two von Rydingsvards through April 28, 2019, New York's Galerie Lelong is showing an exhibition of von Rydingsvard's work through June 23, and von Rydingsvard is included in "Studio Visit: Selected Gifts from Agnes Gund" at the Museum of Modern Art, New York through July 22.
Ursula von Rydingsvard is one of America's leading sculptors. Since her first solo exhibition 43 years ago, she has had solo exhibitions at or fulfilled commissions for museums such as the Storm King Art Center, the Art Institute of Chicago, the North Carolina Museum of Art, the Walker Art Center and many more.
Thu, 7 June 2018
Episode No. 344 of The Modern Art Notes Podcast features curator Luke Syson and artist Anne Appleby.
Along with Sheena Wagstaff, Brinda Kumar, Emerson Bowyer and Elyse Nelson, the Metropolitan Museum of Art's Luke Syson is a co-curator of "Like Life: Sculpture, Color, and the Body (1300-now)" at the Met's Breuer building through July 22. The exhibition features 120 sculptures from the first or second century to the present and considers how artists have presented the human body, especially with color. The outstanding exhibition catalogue was published by the Met and is distributed by Yale University Press. Amazon offers it for $43.
On the second segment, artist Anne Appleby discusses new work she's showing in "We Sit Together the Mountain and Me" at the Tacoma Art Museum. The exhibition, which is on view through July 8, was curated by Rock Hushka. Appleby's work is held by the Portland Art Museum, the Denver Art Museum, the Berkeley Art Museum, SFMOMA, and more. This interview was recorded in April.
Thu, 31 May 2018
Episode No. 343 features artists Carrie Moyer and Aram Han Sifuentes.
Moyer is included in "Inherent Structures" at the Wexner Center for the Arts. The exhibition features 16 artists who complicate abstract painting's traditional association with chance and aesthetic purity with work that addresses concerns that range from an exploration of materials and paints to the artists' sociopolitical interests. The exhibition was curated by Michael Goodson and is on view through August 12.
Carrie Moyer is a New York-based painter whose work has mined the history of abstract painting, particularly composition and the way artists have used different materials and techniques. Moyer's work -- and titles -- often point to contemporary life and politics. Moyer frequently writes criticism for outlets such as Art in America. In 1991 she co-founded the lesbian public art project Dyke Action Machine! The Tang Museum organized a survey of Moyer's work in 2013; she's also had solo shows at the Worcester Art Museum, and at the Katzen Arts Center at American University in Washington, DC.
On the second segment, Aram Han Sifuentes discusses her Protest Banner Lending Library, which she's organizing during a summer-long residency at the Pulitzer Arts Foundation in St. Louis. Protest Banner Lending Library is an ongoing, multi-city project in which Sifuentes works with a community to create banners and to borrown from her ever-growing library of handmade banners. The banners typically address contemporary sociopolitical issues. Her work has been exhibited at numerous museums, including the Whitney Museum of American Art and the MCA Chicago.
Thu, 24 May 2018
Episode No. 342 of The Modern Art Notes Podcast is a holiday weekend presentation of previously recorded interview with curator and historian Ilona Katzew.
Along with Jaime Cuadriello, Paula Mues Orts, and previous MAN Podcast guest Luis Elena Alcala, Los Angeles County Museum of Art curator Ilona Katzew is a co-curator of "Painted in Mexico, 1700-1790: Pinxit Mexici." The exhibition is a broad survey of many kinds of 18th-century Mexican painting, including religious narratives, altarpieces, portraits, casta painting and more. It is on view at the Metropolitan Museum of Art through July 22. The remarkable exhibition catalogue was published by DelMonico Prestel. Amazon offers it for $60.
Katzew is one of the world's foremost experts on New Spanish painting. She was previously on the program to discuss LACMA's acquisition of a significant Miguel Cabrera casta painting.
Thu, 17 May 2018
Episode No. 341 features artist Inka Essenhigh and curator Kenneth Myers.
The Virginia Museum of Contemporary Art in Virginia Beach is showing "Inka Essenhigh: A Fine Line," a mid-career survey of the New York-based Essenhigh's work. The exhibition was curated by Heather Hakimzadeh and remains on view through August 19. The exhibition's catalogue, an impressive 216-page monograph that also features work not in the show, was published by the museum. It's available from Virginia MOCA for $45.
Concurrently, The Drawing Center in New York is showing Essenhigh's Manhattanhenge, a site-specific commission for the museum's stairwell. It's on view through August 4, 2019.
On the second segment, Detroit Institute of Arts curator Kenneth Myers discusses his exhibition "Church: A Painter's Pilgrimage." The exhibition considers the paintings Frederic Edwin Church made in the late 1860s and 1870s of his trip to the Middle East and the Mediterranean. It opens at the Wadsworth Atheneum on June 2; the conversation on this week's program was recorded in December, 2017. The exhibition's excellent catalogue was published by the DIA. Amazon offers it for $41.
Thu, 10 May 2018
Episode No. 340 features author and historian Daniel E. Sutherland and artist Otobong Nkanga.
With Georgia Toutziari, Daniel Sutherland is the co-author of "Whistler's Mother: Portrait of an Extraordinary Life." The book, a biography of Anna Whistler, explains both the austere woman represented in James Abbott McNeill Whistler's famed 1871 painting Arrangement in Gray and Black No. 1, better known as Whistler's Mother, and Anna Whistler's involvement in her son's career. Anna Whistler lived a remarkable life that started in the slaveholding South, continued in the rapidly industrializing northeast via her marriage to one of the most prominent railroad engineers of the time, and which took her and her family to St. Petersburg, Russia, Europe and London, where she became her son's unofficial art-world manager and agent. "Whistler's Mother" was published by Yale University Press. Amazon offers it for $13. (!)
Sutherland was previously a guest on The MAN Podcast in 2014 to discuss "Whistler: A Life for Art's Sake," his terrific biography of the artist. Yale University Press has just released it in paperback. Amazon sells it for $15.
On the second segment, Otobong Nkanga discusses her work on the occasion of "Otobong Nkanga: To Dig a Hole That Collapses Again" at the Museum of Contemporary Art Chicago. The exhibition, a survey of her work which continues through September 2, was curated by Omar Kholeif. Nkanga, who was born in Nigeria and who lives and works in Antwerp, makes paintings, drawings, tapestry, installation and gives performances that explore the history and impact of colonialism, especially in Africa. Much of her work addresses the way such histories have impacted the land, and the viewer's likely connections with that past. She has performed at or her work has been exhibited at the Tate Modern, the Stedelijk Museum Arnhem, the Moderna Museet and the Centre Pompidou, and Documenta 14. The exhibition catalogue was published by Delmonico Prestel. Amazon offers it for $25.