Episode No. 576 features photographer Anthony Barboza and curator Maika Pollack.

"Eye Dreaming," a monograph spanning Barboza's sixty-year career was just published by Getty Publications. The book comes out just as the two-year, four-venue exhibition "Working Together: Photographers of the Kamoinge Workshop," an exhibition which presented Barboza as a major and instigating figure in Kamoinge, concluded. "Eye Dreaming" features Barboza's 1960s addresses of the condition of the United States, his portraits of major figures in the humanities, sport, and entertainment, his photographs of jazz musicians, street photography, fashion photography, examples of his editorial, album cover and advertising work, and more. The book features contributions from Aaron Bryant, Mazie M. Harris and Hilton Als. Indiebound and Amazon offer it for about $40.

Pollack discusses "Tadashi Sato: Atomic Abstraction in the Fiftieth State, 1954-63" at the John Young Museum of Art at the University of Hawaiʻi, Mānoa. The exhibition examines the first decade of Sato's car. Sato, melded New York-informed engagements with modernism with influences from nature to become one of the most significant Hawaiʻi-born painters of the twentieth century. This is the first major exhibition of Sato's work in over two decades. It also includes work by several of his Hawaiʻian colleagues and reveals how they helped create space for artists and public art in what was then the new state of Hawaiʻi. It is on view through December 11.

Instagram: Maika Pollack, Tyler Green.

Episode No. 575 features curators Vincenzo de Bellis and Leo Mazow.

de Bellis is the curator of the retrospective "Jannis Kounellis in Six Acts," which is at the Walker Art Center in Minneapolis through February 26, 2023. Kounellis was a significant figure in the arte povera movement of the 1960s and 1970s whose work was on the vanguard of melding sculpture, installation and performance as is common in today's artistic practice. "Kounellis" will travel to Museo Jumex in Mexico City in April 2023. The exhibition is accompanied by a catalogue published by the Walker. Indiebound and Amazon offer it for about $55.

Mazow is the curator of "Storied Strings: The Guitar in American Art" at the Virginia Museum of Fine Arts in Richmond. It's on view through March 19, 2023. The exhibition follows artists' interest in the guitar as a visual subject, revealing its cultural significance as a tool that reveals class, gender, identity and that amplifies protest and progressive change. "Storied Strings" will travel to the Frist Art Museum in May 2023. The exhibition catalogue was published by VMFA. It is available from the museum for $40.

Audio from Session Five of The Darkwater Project's 2022 digital colloquium, "Historical American Art, Whiteness, and the Idea of the American Nation." 

Watch the session on YouTube.

Follow The Darkwater Project on Instagram. 

Sign up for Session Five (November 17, 3:30 pm ET).

Episode No. 574 features curator Emily Braun and artist Mark Steinmetz.

With Elizabeth Cowling, Braun is the co-curator of "Cubism and the Trompe L'Oeil Tradition" at the Metropolitan Museum of Art in New York. The exhibition considers cubist works by Georges Braque, Juan Gris and Pablo Picasso in the context of the centuries-long trompe l'oeil painting tradition. In addition to dozens of major cubist works, the exhibition includes paintings by Samuel van Hoogstraten, William Harnett, and more. "Cubism" is on view through January 22, 2023. It is accompanied by an outstanding catalogue that was published by the museum. Indiebound and Amazon offer it for $43-50.

Steinmetz is included in "Reckonings and Reconstructions: Southern Photography from the Do Good Fund" at the Georgia Museum of Art at the University of Georgia. The Do Good Fund is a Columbus, Ga.-based charity that collects and makes available to museums photography of the American South made from the 1950s to the present. The exhibition, which includes artists such as Jill Frank, Baldwin Lee, Deborah Luster, Gordon Parks, and RaMell Ross. It's at the GMOA through January 8, 2023.

Steinmetz also contributed a portfolio titled "Irina & Amelia" to the new, 70th anniversary issue of Aperture magazine. The issue also features work by John Edmonds, Hannah Whitaker, Dayanita Singh, and others, and is available from Aperture for $25.

Air date: November 3, 2022.

Episode No. 573 features artists Matthew Ronay and Jade Doskow.

The Nasher Sculpture Center in Dallas is presenting "Matthew Ronay: The Crack, the Swell, an Earth, an Ode" through January 15, 2023. The exhibition features a nearly 24-foot-long sculpture that functions as both an introduction to Ronay's exploration of surrealism, abstraction, representation and art's history, and also as a summary of the last decade of his work. The exhibition was curated by Leigh Arnold and is accompanied by a catalogue published by the Nasher and Gregory R. Miller & Co. Indiebound and Amazon offer it for about $55.

Ronay's work has been featured in solo shows at the Blaffer Art Gallery and at the Pérez Art Museum Miami. He has been included in group shows at the Dallas Museum of Art, the North Carolina Museum of Art, the Williams College Museum of Art, and more.

The John Hartell Gallery at the Cornell University College of Architecture, Art, and Planning is presenting "A New Wilderness: Freshkills." The exhibition features photographs by Freshkills photographer-in-residence Jade Doskow and a series of soundscapes by Heather Campanelli. The work shows the evolution of Staten Island's Freshkills from a landfill -- the world's largest household garbage dump -- into a 2,200-acre city park. The exhibition is on view through November 4.

Doskow's Freshkills work debuted in The New York Times. Black Dog London published a monograph of Doskow's "Lost Utopias" work in 2016.

Instagram: Matthew Ronay, Jade Doskow, Tyler Green.

Audio from Session Four of The Darkwater Project's 2022 digital colloquium, "Historical American Art, Whiteness, and the Idea of the American Nation." 

Watch the session on YouTube.

Follow The Darkwater Project on Instagram. 

Sign up for Session Five (November 3, 3:30 pm ET).

Episode No. 572 features curators Reto Thüring and Lisa Volpe.

With Akili Tommasino, Thüring is the co-curator of "Frank Bowling's America's," which opens at the MFA Boston this weekend. The exhibition work that the British Guiana–born Bowling made when he lived in New York from 1966-75 (at which point he returned to London, his previous home). The show features the often enormous paintings Bowling made in those years, and considers them within the context of his art criticism and curatorial projects. The exhibition is on view through April 9, 2023. The outstanding exhibition catalogue was published by the museum. Indiebound and Amazon offer it for $40-50.

Volpe discusses "Gordon Parks: Stokely Carmichael and Black Power," which is at the Museum of Fine Arts, Houston through January 16, 2023. The exhibition presents and considers pictures of Carmichael that Parks made for Life magazine in 1967. Also included in the show are footage of Carmichael’s speeches and interviews. Indiebound and Amazon offer the catalogue, a co-publication of Steidl, The Gordon Parks Foundation, and the MFAH, for $45-50.

Instagram: Lisa Volpe, Tyler Green.

Episode No. 571 of The Modern Art Notes Podcast is a holiday week clips episode featuring curator Elyse Nelson.

Along with Wendy S. Walters, Nelson is the co-curator of "Fictions of Emancipation: Carpeaux Recast" at the Metropolitan Museum of Art. The exhibition interrogates French sculptor Jean-Baptiste Carpeaux's 1868/73 marble bust Why Born Enslaved! and places the sculpture in the context of French history, racialization, and in the representation of Black men and women by sculptors in Europe and the US during and after the nineteenth century. It's on view through March 5, 2023.

The Met has published an excellent catalogue for the project. It includes contributions from Sarah E. Lawrence, Iris Moon, Caitlin Meehye Beach, Rachel Hunter Himes, James Smalls, Adrienne Childs, Nelson, and Walters. It is available from Indiebound and Amazon for about $25.

For images, see Episode No. 543.

Instagram: Elyse Nelson, Tyler Green.

Audio from Session Three of The Darkwater Project's 2022 digital colloquium, "Historical American Art, Whiteness, and the Idea of the American Nation." 

Watch the session on YouTube.

Follow The Darkwater Project on Instagram. 

Sign up for Session Four (October 20, 3:30 pm ET).

Episode No. 570 features artist vanessa german and curator Kimberli Gant.

german is included in "Start Talking: Fischer/Shull Collection of Contemporary Art," an exhibition of gifts to the North Carolina Museum of Art pledged by Hedy Fischer and Randy Shull. The show is on view through February 5, 2023.

The Mount Holyoke College Art Museum is presenting "THE RAREST BLACK WOMAN ON THE PLANET EARTH," german’s response to the Joseph Allen Skinner Museum, an early 20th-century cabinet of curiosities at Mount Holyoke. The exhibition is in previews through October 12, the artist will perform at the museum on October 13, at which point the show will remain on view through May 28, 2023.

german is showing recent work at New York City's Kasmin Gallery in "Sad Rapper" through October 22.

With Ndubuisi Ezeluomba, Gant is the co-curator of "Black Orpheus: Jacob Lawrence and the Mbari Club" which is at the Chrysler Museum of Art in Norfolk, Va. through January 8, 2023. The exhibition explores the connection between Lawrence and his contemporaries based in the Global South via the Nigerian journal "Black Orpheus" and the presentation of their work at Nigeria's Mbari Artists & Writers Club. After debuting in Norfolk, the show will travel to New Orleans and Toledo. The exhibition is accompanied by an outstanding catalogue published by Yale University Press in association with the Chrysler and the New Orleans Museum of Art. Indiebound and Amazon offer it for $50.

Instagram: vanessa german, Kimberli Gant, Tyler Green.

Air date: October 6, 2022.

Episode No. 569 features curator Stephanie Weissberg and artist Rosamond Purcell.

Weissberg is the curator of "Barbara Chase-Riboud Monumentale: The Bronzes," the artist's first retrospective in 40 years and the largest exhibition of her work to date. In addition to sculptures, such as from Chase-Riboud's "Malcolm X," "Zanzibar," and "La Musica" series, the exhibition includes nearly two dozen works on paper and a selection of Chase-Riboud’s poetry. "Chase-Riboud Monumentale" is on view through February 5, 2023. A catalogue will be available in January 2023.

Purcell discusses her work on the occasion of "Rosamond Purcell: Nature Stands Aside" at the Addison Gallery of American Art at Phillips Academy in Andover, Massachusetts. The retrospective exhibition examines how Purcell has collaborated with paleontologists, anthropologists, historians, curators, and more in exploration of the shifting lines between art and science. The exhibition was curated by Gordon Wilkins and is on view through December 31. The museum has published an excellent catalogue in collaboration with Rizzoli Electa. Amazon and Indiebound offer it for $45-65.

Audio from Session Two of The Darkwater Project's 2022 digital colloquium, "Historical American Art, Whiteness, and the Idea of the American Nation." 

Watch the session on YouTube.

Follow The Darkwater Project on Instagram. 

Sign up for Session Two (October 6, 3:30 pm ET).

Episode No. 568 features curators Anthony Graham and Brian Piper.

Graham is the curator of the retrospective "Alexis Smith: The American Way." Across Smith's career she has used collage and installation to explore how we are shaped by the culture and media around us.  The exhibition is on view at the Museum of Contemporary Art San Diego's new La Jolla building through January 29, 2023. The excellent exhibition catalogue was published by Scala. Indiebound and Amazon offer it for about $50.

Piper discusses his exhibition "Called to the Camera: Black American Studio Photographers," which is at the New Orleans Museum of Art through January 8, 2023. The show examines how Black photographers have worked to produce beautiful portraits, while also engaging in a range of other photographic work. "Called to the Camera" also reveals how Black studio photographers engaged movements such as pictorialism, modernism, and abstraction. The museum will publish the exhibition catalogue next month; Amazon offers it for $50.

Instagram: Anthony Graham, Brian Piper, Tyler Green.

Episode No. 567 features artist Rose B. Simpson and author Brent Martin.

The Institute for Contemporary Art, Boston is showing "Rose B. Simpson: Legacies," an exhibition of 14 sculptures Simpson has made over the last eight years. It was curated by Jeffrey De Blois and is on view through January 29, 2023.

Rose B. Simpson is included in two other New England presentations: her Counterculture is installed at Field Farm, a Trustees property in Williamstown, Mass.; and in "Ceramics in the Expanded Field," at MASS MoCA. Counterculture was organized by Jamilee Lacy and will be on view through April 30, 2023. "Ceramics," which is up until early March 2023, was curated by Susan Cross.

This fall The Fabric Workshop and Museum in Philadelphia will feature "Rose B. Simpson: Dream House." The exhibition opens October 7.

Across ceramic sculpture, performance, installation, and more, Simpson's work addresses ideas as far ranging as resistance, apocalypse, spirituality, and automobile design. Museums such as the University of New Mexico Art Museum (Simpson lives in Santa Clara Pueblo), Nevada Museum of Art, the Savannah College of Art and Design's SCAD Museum of Art, and the Pomona College Museum of Art have all presented solo exhibitions of her work, and Simpson has been in group shows at the Henry Art Gallery, the Pennsylvania Academy of Fine Arts, the Cleveland Museum of Art, the Denver Museum of Art, and plenty more.

Martin discusses his new book "George Masa's Wild Vision," which was recently published by Hub City Press. Masa was an Asheville, North Carolina-based photographer who had a significant impact on the establishment of Great Smoky Mountains National Park and on determining the Southern route of the Appalachian Trail, the two crown jewels of the eastern United States' natural infrastructure. Amazon and Indiebound offer the book for around $25.

Audio from Session One of The Darkwater Project's 2022 digital colloquium, "Historical American Art, Whiteness, and the Idea of the American Nation." 

Watch the session on YouTube.

Follow The Darkwater Project on Instagram. 

Sign up for Session Two (September 22, 3:30 pm ET).

Episode No. 566 of The Modern Art Notes Podcast features artist B. Ingrid Olson and curator Idurre Alonso.

The Carpenter Center for the Visual Arts at Harvard University is presenting two concurrent B. Ingrid Olson exhibitions, "History Mother," and "Little Sister" through December 23. Each exhibition is on a separate floor of CCVA's building. Olson's exhibitions feature site-specific presentations that engage with doubling and mirroring, gendered forms, the interplay between photography and sculpture, and between the body and the built environment. The exhibitions were curated by Dan Byers. A catalogue will be available.

This week, the Secession in Vienna closed an exhibition of Olson's work titled "Elastic X." In addition, Olson's work has previously been featured in solo presentations at the Albright-Knox Art Gallery in Buffalo, NY and at The Renaissance Society at the University of Chicago.

Alonso discusses her new exhibition "Reinventing the Américas: Construct. Erase. Repeat" at the Getty Research Institute in Los Angeles. The exhibition considers the ways in which artists have helped construct ideas about the Western Hemisphere, particularly in the decades after the arrival of Europeans. It is on view through January 8, 2023.

Instagram: B. Ingrid Olson, Idurre Alonso, Tyler Green.

Episode No. 565 of The Modern Art Notes Podcast is a summer clips episode featuring artist Sandy Rodriguez.

Rodriguez is included in "Traitor, Survivor, Icon: The Legacy of La Malinche," which is at the Albuquerque Museum through September 4. The exhibition examines the historical and cultural legacy of the Indigenous woman at the heart of the Spanish Conquest of Mexico (1519-1521) known colloquially as La Malinche. The show originated at the Denver Art Museum and was curated by Victoria I. Lyall and independent curator Terezita Romo. This fall it travels to the San Antonio Museum of Art.

Sandy Rodriguez’s work remains on view in “Borderlands” at the Huntington Library in San Marino, Calif. 

Rodriguez’s work explores the methods and materials of painting in works that address Native and colonial histories, memory, and contemporary events. Among her exhibition credits are the recent triennial at El Museo del Barrio, LACMA, the Riverside Art Museum, Art + Practice, Los Angeles, and more.

Episode No. 487 is a summer clips episode featuring curators Marshall N. Price and Elizabeth Finch.

Price and Finch are the co-curators of "Roy Lichtenstein:  History in the Making, 1948-60." The exhibition examines Lichtenstein's early work, with particular attention to Lichtenstein's synthesis of European modernism, American painting and contemporary vernacular sources. The exhibition is on view at the Colby Nasher Museum of Art at Duke University through January 8, 2023. The excellent exhibition catalogue was published by Rizzoli Electa. Indiebound and Amazon offer it for about $33. From Waterville, Maine, the exhibition will travel to the Parrish Art Museum in Water Mill, NY, the Columbus Museum of Art, and the Nasher Museum of Art at Duke University. Price and Finch are curators at the Nasher and Colby, which originated the show, respectively.

For images see Episode No. 487. 

Episode No. 563 of The Modern Art Notes Podcast features curator Aleesa Pitchamarn Alexander and artist Katherine Bradford.

Alexander is the curator of "The Faces of Ruth Asawa," a new permanent installation at the Cantor Arts Center at Stanford University featuring Asawa's Untitled (LC.012, Wall of Masks). Wall of Masks is made up of ceramic face masks Asawa made with the cooperation of friends and visitors. The masks once hung on the exterior of the Asawa family's home. The artwork was the first acquisition made by Stanford's Asian American Art Initiative, which Alexander founded with Stanford professor Marci Kwon, and which she co-leads.

"Faces" also includes three vessels by Asawa’s son Paul Lanier. Each was made with clay mixed with the ashes of Asawa, her husband Albert, and their late son, Adam. Upon Asawa’s death, by her request, Lanier threw these materials into a set of vessels, one for each surviving sibling.

The second segment is a re-air of painter Katherine Bradford's 2018 appearance on the program. This summer, the Portland (Me.) Museum of Art is presenting "Flying Woman: The Paintings of Katherine Bradford," the first solo museum survey of Bradford's career. It was curated by Jaime DeSimone and is on view through September 11. The segment was taped on the occasion of “FOCUS: Katherine Bradford” at the Modern Art Museum of Fort Worth.

Episode No. 562 of The Modern Art Notes Podcast features curators Sarah Chasse and Karen Kramer, and artist Jason Garcia (Okuu Pin).

Chasse and Kramer are the co-curators of a new installation of the Peabody Essex Museum's Native American and American collections titled "On This Ground: Being and Belonging in America." The installation joins two separate institutional collections in a way that joins art to 10,000 years of North American history. "On This Ground" often suggests and reveals how art influenced and extended ideas core to the continental story. The installation is on view indefinitely.

Garcia's work -- specifically artworks from his Tewa Tales of Suspense! series -- is included in the PEM's collection and in "On This Ground." Garcia's work often examines and interprets American and Pueblo history in ways that revise old, whites-centering narratives. His work is in the collection of museums such as the Heard Museum in Phoenix, and the Smithsonian's National Museum of the American Indian.

Episode No. 561 features author Helen Langdon and curator Erin Garcia.

Langdon is the author of "Salvator Rosa: Paint and Performance," a new biography of the Renaissance painter and actor. The book explains Rosa's thirst for fame, his philosophical pursuits and how they melded with his painting, his acting career, and the ways in which his desire to be a celebrity often interfered with his ability to accomplish his career goals. The book was published by Reaktion and is distributed in the US by University of Chicago Press. Indiebound and Amazon offer it for $25.

Garcia discusses "Chinese Pioneers: Power and Politics in Exclusion Era Photographs," which is at the California Historical Society in San Francisco through August 13. The exhibition offers a CHS collection-driven visual history of the social, political, and judicial disenfranchisement of Chinese Californians -- as well as portrayals of Chinese agency and resilience -- during the Chinese exclusion era.

Episode No. 560 features artist Kiyan Williams and historian Paul M. Farber.

The Hammer Museum is presenting "Hammer Projects: Kiyan Williams", the artist's first solo museum presentation, through August 28. The show features Williams' 2022 installation Between Starshine and Clay, a work that features earth taken from sites that are familial or that hold Black American histories, and sculptural forms that reveal or refer to the human body. "Williams" was curated by Erin Christovale.

Williams is also included in "Black Atlantic," a Public Art Fund exhibition at Brooklyn Bridge Park in New York. The exhibition, which was curated by Hugh Hayden and Daniel S. Palmer, was motivated by an exploration of transatlantic diaspora. It includes Williams' 2022 Ruins of Empire, a reimagining of Thomas Crawford's Statue of Freedom, which was installed atop the US Capitol dome in 1863. (The full-size plaster model for Freedom is in the Capitol Visitor Center.) "Black Atlantic" is on view through November 27.

In addition, they are also in "52 Artists: A Feminist Milestone" at the Aldrich Contemporary Art Museum in Ridgefield, Conn. The exhibition, which was curated by Amy Smith-Stewart and is on view through January 8, 2023, showcases work by artists in the Aldrich's 1971 "Twenty Six Contemporary Women Artists" show, augmented by work by 26 female identifying or nonbinary emerging artists.

On the second segment, a re-air of an October 2021 conversation with Monument Lab director Paul M. Farber on Monument Lab's National Monument Audit, which Farber co-directed with Laurie Allen and Sue Mobley. In addition to the project website, Monument Lab offers a free PDF of the audit. This week, Monument Lab's Future Memory podcast returned. Click here for information and here to subscribe.

Episode No. 559 of The Modern Art Notes Podcast features artists Esteban Cabeza de Baca and Jess T. Dugan.

The Momentary in Bentonville, Ark. is presenting "Esteban Cabeza de Baca: Let Earth Breathe" through September 25. Across the exhibition, Cabeza de Baca deconstructs the colonial European-American landscape tradition by re-considering painting and sculpture as a collaboration with nature. It was curated by Kaitlin Garcia-Maestas with Taylor Jasper. Cabeza de Baca's work is also included in "Plein Air" at the Museum of Contemporary Art Tucson. The exhibition was curated by Aurora Tang and will be on view through February 5, 2023.

Cabeza de Baca's work has been shown at the Southeastern Center for Contemporary Art, Winston-Salem, NC, The Drawing Center, New York City.

Jess T. Dugan's work is included within "Designing Motherhood: Things That Make and Break Our Births," which is at the MassArt Art Museum through December 18. This conversation previously aired on Episode No. 468 when photographs from Dugan‘s “To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults” project were at the Minneapolis Institute of Arts. Dugan produced “To Survive on This Shore” with their partner, Vanessa Fabbre, a social worker and professor at Washington University in St. Louis. The book related to the project was published by Kehrer Verlag in 2018. It is available from Amazon and from Indiebound.

Instagram: Cabeza de Baca, Dugan, Tyler Green.

Episode No. 558 features author Hugh Eakin and artist Jordan Weber. 

Eakin is the author of "Picasso's War: How Modern Art Came to America," which tells a story of how New York City slowly, eventually, came to embrace both European modernism and the art of Pablo Picasso. Eakin's history begins with John Quinn, a white-shoe attorney with a yen for progressive literature and art, and follow's Quinn's involvement and influence across New York and Europe, through the Armory Show, Alfred Barr, and more. The book is full of original research, new angles that give life to once-ossified narratives, and bright, well-paced prose. Indiebound and Amazon offer it for about $33. 

Jordan Weber discusses "All Our Liberations," an art installation and space for community learning, reflection and healing organized by the Pulitzer Arts Foundation in Saint Louis. The project, which runs from July 16-24, takes place at the Spring Church near the Pulitzer in Saint Louis's Grand Center Arts District. The project includes a three-tiered sculpture Weber made with black obsidian stones and participation from collaborators Weber met during a 2021 residency. During the week-long program Weber will host programs for both formerly incarcerated individuals and members of the public. Urban farmers, healers, and organizers from Close the Workhouse -- a Saint Louis-area campaign working to end mass incarceration -- are Weber's programming co-host. In April 2023, Weber will expand "All Our Liberation" as part of Counterpublic, a city-wide triennial.

Episode No. 557 features artist Meghann Riepenhoff and curator Michelle White.

Meghann Riepenhoff is included in "Watershed," an exhibition at the University of Michigan Museum of Art that considers the interconnected histories, present lives, and imagined futures of the Great Lakes region. "Watershed" features work by 15 artists, six of whom were commissioned to make new work for the show. Riepenhoff's 2022 Waters of the Americas: EPA ID NYD980592497, Eastman Kodak’s Emissions B (Confluence of the Genesee River and Lake Ontario, Rochester, NY, 03.12.2022) is among those commissions. The exhibition was curated by Jennifer M. Friess, and is on view through October 23.

Riepenhoff's work foregrounds the chemical processes from which pictures are and have been made since the nineteenth century, and brings those processes into contact with nature, including rivers, lakes and oceans. Her work has been included in exhibitions at SFMOMA, the High Museum of Art, the Portland Art Museum, Crystal Bridges Museum of American Art, and more. This September, Radius and Yossi Milo Gallery will publish Riepenhoff's new book Ice; and Yossi Milo will present related work in its New York space. Indiebound and Amazon offer the book for about $60.

White discusses "Niki de Saint Phalle in the 1960s," which is at the Museum of Contemporary Art San Diego through July 17. The exhibition examines two of Saint Phalle's most important bodies of work: the Tirs, or “shooting paintings,” and exuberant sculptures of women Saint Phalle called Nanas. White co-curated the show with Jill Dawsey. The excellent exhibition catalogue was co-published by MCASD and The Menil Collection, which originated the exhibition, and distributed by Yale University Press. Amazon offers it for about $50.

Episode No. 556 is a holiday clips episode featuring artist Maya Dunietz. 

The Bemis Center Contemporary Arts in Omaha is presenting  "Maya Dunietz: Root of Two," a 13,000-square-foot exhibition that foregrounds the physicality of sound via a series of installations. The exhibition was curated by Rachel Adams and will remain on view through September 18.

This program was taped before a live audience at the Bemis Center last November when Dunietz was in residence putting the finishing touches on this exhibition.

For works discussed on this week's program, see Dunietz's website:

• Mammoths and Five Chilling Mammoths (2021);
• Installation at the University Botanical Garden (2021) in Jerusalem;
• The Turning Wheel (2010);
• Air Sculpture 1 (2013);
• Talking Wall (2016);
• Trembling Piano (2016); and
• Thicket (2016).

Two clips of Barbara Kruger discussing works she has made that address abortion.

The first work(s) is from 1991 and 1992; the second addresses Kruger's recent engagements with her 1989 masterpiece "Your Body is a Battleground."

Nota bene: This mini-episode is available *only* via feed, including at Apple Podcasts, Spotify, etc. 

Episode No. 555 features artist Robert Adams.

The National Gallery of Art, Washington, is presenting "American Silence: The Photographs of Robert Adams" through October 2. The exhibition, a career survey, includes about 175 pictures Adams made between 1965 and 2015. It is accompanied by a catalogue published by the NGA and Aperture. Indiebound and Amazon offer it for $44-65.

Adams is among the world's greatest living photographers. His work has taken a critical eye to the United States, and especially to its stewardship of the West and the people who live there.

This is Adams' third visit to the program. He was previously the guest on Episodes No. 41 and 227.

Episode No. 554 features artists Andrea Bowers and Suzanne Lacy. 

The Hammer Museum, Los Angeles is presenting a retrospective of Bowers' work. The exhibition reveals how Bowers has combined her artistic practice with activism. Both focus on structural inequities, elevating and celebrating the work of activists trying to create a more just nation and world, and tying present day struggles to historical movements such as the global labor movement. The show features about 60 works reflecting Bowers's use of many media, including drawing, installation, video and sculpture. "Andrea Bowers" was curated by Connie Butler and Michael Darling. After debuting at the MCA Chicago, it's on view at the Hammer through September 4. The excellent exhibition catalogue was published by DelMonico Books in association with the two museums. Indiebound and Amazon offer it for $40-60. 

On the second segment, our 2019 conversation with Bowers' sometime-collaborator, Suzanne Lacy. The program was recorded when the San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts jointly presented the retrospective “Suzanne Lacy: We are Here.” The exhibition explores Lacy’s roots in early conceptualism and her emergence as a pioneer of what has become known as social practice, the use of community organizing and media-focused strategies to prompt events and discussions. The exhibitions are on view in San Francisco through August 4.

Suzanne Lacy is best known for her ambitious Three Weeks in May (1977), a project that exposed the extent of reported rapes in Los Angeles. It was the first of Lacy’s large-scale works that addressed violence against women and that revealed Lacy’s strategies for melding art and organizing practices.

Links and images to artworks Lacy discusses are at Episode No. 393.

Episode No. 553 features artist Hayv Kahraman and conservator and author Susan Lake.

Hayv Kahraman is included in "Women Painting Women" at the Modern Art Museum of Fort Worth. The exhibition features 46 female artists who choose women as subject matter in their works. It was curated by Andrea Karnes and is on view through September 25. The exhibition catalogue was published by Delmonico Books. Indiebound and Amazon offer it for $39-50.

Kahraman is a Baghdad-born, Los Angeles-based painter whose work explores the non-fixity of diasporic culture. Her work has been featured in solo exhibitions at the Contemporary Art Museum Saint Louis, the Joslyn Museum of Art, Omaha and the Asian Art Museum, San Francisco.

On the second segment, Lake discusses "Clyfford Still," a new book in the Getty Conservation Institute's "The Artists Materials" series. Lake co-authored the book with Barbara A. Ramsay. Built from unprecedented access to art in the Clyfford Still estate and later in the Clyfford Still Museum, Denver, the book offers a detailed account of Still's materials, working methods and techniques. Indiebound and Amazon offer it for $40.

Episode No. 552 is a summer clips episode featuring artist Marilyn Minter.

Minter is included in "Women Painting Women," which is at the Modern Art Museum of Fort Worth through September 25. It features 46 female artists who choose women as subject matter in their works. It was curated by Andrea Karnes. 

This conversation was taped in 2015 on the occasion of a mid-career survey of Minter's work that opened at the Contemporary Arts Museum Houston before traveling to Denver, Orange County and Brooklyn.

Episode No. 551 is a holiday clips episode featuring artist Allison Janae Hamilton.

Allison Janae Hamilton is included in “A Movement in Every Direction: Legacies of the Great Migration” at the Mississippi Museum of Art in Jackson. The exhibition, which was curated by Ryan N. Dennis and Jessica Bell Brown, features newly commissioned work from 12 Black artists that addresses the Great Migration. The Great Migration was the movement of more than six million Black Americans from the South to cities across the United States. The exhibition is in Jackson through September 11, when it will travel to Baltimore.

This program was taped on the occasion of Hamilton's inclusion in “Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse,” which was organized by the Virginia Museum of Fine Arts in Richmond, and which is at the Crystal Bridges Museum of American Art in Bentonville, Ark. through July 25.

Hamilton’s work investigates and reveals the South’s history and landscape and their influence on the American story across photographs, sculpture, video and installation. She has had solo exhibitions at Recess in New York, the Atlanta Contemporary and at MASS MoCA, and New York’s Times Square Arts and Creative Time have presented her work.

Episode No. 550 of The Modern Art Notes Podcast features historian and author Glenda Elizabeth Gilmore and curator Edith Devaney.

Gilmore is the author of "Romare Bearden in the Homeland of His Imagination," which was just published by the University of North Carolina Press. The book examines how Bearden's address of his native South -- he was born and was initially raised in the Charlotte, NC area before his family was effectively forced to leave the South -- was informed by the vagaries of memory and even imagination. Gilmore is the Peter V. & C. Vann Woodward Professor Emerita of History at Yale University. Her previous books include "Gender and Jim Crow: Women and the Politics of White Supremacy in North Carolina, 1896-1920," and "Defying Dixie: The Radical Roots of Civil Rights, 1919-1950." Indiebound and Amazon offer "Bearden" for $26-40.

Devaney discusses “Milton Avery,” a survey of the artist’s career now at the Wadsworth Atheneum in Hartford. The exhibition debuted at the Modern Art Museum of Fort Worth and is in Hartford through June 5. The exhibition features about 70 paintings Avery made between the 1910s and the mid-1960s and emphasizes Avery’s interest in color. It’s on view at the Wadsworth through June 5. “Avery” was co-organized by the Royal Academy, London, the Wadsworth and MAMFW. Its catalogue was published by the Royal Academy. Indiebound and Amazon offer it for about $45.

Episode No. 549 features artists Aubrey Levinthal and Doron Langberg.

Levinthal and Langberg are included in "A Place for Me: Figurative Painting Now" at the Institute of Contemporary Art, Boston. The exhibition, which was curated by Ruth Erickson, spotlights painters who are particularly interested in depicting what is near and dear to them, including friends, lovers, family, studio spaces, and their homes. "A Place for Me" is at the ICA through September 5.

Aubrey Levinthal is a Philadelphia-based artist whose work explores the everyday in ways that engage with painting's history. She's shown her work in galleries in New York, Los Angeles, Berlin and Philadelphia. In addition to the ICA Boston exhibition, Levinthal's work is in "Women of Now: Dialogues of Memory, Place & Identity" at the Green Family Art Foundation in Dallas. It was curated by Clare Milliken and Bailey Summers, and is on view through May 15.

Doron Langberg is a New York-based artist whose often large-scale works explore intimacy, color and touch. Langberg has been included in group shows at the RISD Museum, the Frick Madison, and the LSU Museum. His work is in the collection of the Pennsylvania Academy of the Fine Arts and the RISD Museum.

Episode No. 548 features curators Ann Temkin and Stephanie Weissberg.

Along with Dorthe Aagesen, Temkin is the co-curate of "Matisse: The Red Studio," an exhibition that investigates Matisse's making of his famed 1911 The Red Studio. The exhibition, which is at the Museum of Modern Art, New York through September 10, features each of the surviving works Matisse portrayed in The Red Studio, as well as related archival photographs, correspondence and related paintings and drawings. The excellent exhibition catalogue was published by MoMA. Indiebound and Amazon offer it for $55.

Weissberg discusses her exhibition "Assembly Required," which is at the Pulitzer Arts Foundation, St. Louis through July 31. The show features eight artists -- Francis Alÿs, Rasheed Araeen, Siah Armajani, Lygia Clark, Hélio Oiticica, Yoko Ono, Lygia Pape, and Franz Erhard Walther -- who believed that public action is vital to transform society. The work Weissberg has selected for the exhibition invites a viewer's physical participation.

Episode No. 547 features artists Leslie Hewitt and Cornell Watson.

Hewitt is included in "A Movement in Every Direction: Legacies of the Great Migration" at the Mississippi Museum of Art in Jackson. The exhibition, which was curated by Ryan N. Dennis and Jessica Bell Brown, features newly commissioned work from 12 Black artists that addresses the Great Migration. The Great Migration was the movement of more than six million Black Americans from the South to cities across the United States. The exhibition is in Jackson through September 11, when it will travel to Baltimore.

Hewitt's photography and sculpture revisit art historical forms such as the still-life and minimalist sculpture through the lens of personal history, biography and America's past. The Minneapolis Institute of Art, the MCA Chicago, the Contemporary Art Museum St. Louis, the Des Moines Art Center and the Menil Collection are among the institutions that have presented solo or two-person exhibitions of her work.

Cornell Watson's work is included in “Reckoning and Resilience: North Carolina Art Now” at the Nasher Museum of Art at Duke University. The exhibition features over 100 works by 30 artists working across North Carolina. It features work from Watson's "Behind the Mask" series, a visual consideration of Black life in present-day America.

Instagram: Leslie Hewitt, Cornell Watson, Tyler Green.

Episode No. 546 of The Modern Art Notes Podcast features curators Natalie Dupêcher and Laura de Becker. 

Along with Anne Umland and Nina Zimmer, Dupêcher is the co-curator of "Meret Oppenheim: My Exhibition," a retrospective that spans the Swiss artists' 1930s work in Paris, her engagements with surrealism, and her broad post-war synthesis of nouveau réalisme, pop, abstraction and addresses of nature. The exhibition is at the Menil Collection, Houston, through September 18 before traveling to the Museum of Modern Art, New York. It debuted at the Kunstmuseum Bern last fall. (The Kunstmuseum Bern created a "digitorial" for the exhibition.) "Oppenheim" is accompanied by a catalogue published by MoMA. Indiebound and Amazon offer it for $27-45.

de Becker is the curator of "Wish You Were Here: African Art and Restitution" at the University of Michigan Museum of Art. The exhibition takes a unique approach to an examination of eleven objects from the museum's African collection: instead of researching their provenances' relationship to the era of colonization in private, the museum is conducting its research into those objects publicly and in near-real time via a gallery exhibition. Both the exhibition and the website UMMA has launched for the project are models of transparency. de Becker is UMMA's curator for African art and interim chief curator. She is assisted in the project by Timnet Gedar, Bridget Grier, Caitlyn Webster and Ozi Uduma. 

Episode No. 545 is a holiday weekend clips episode featuring artist Charles Ray.

The Metropolitan Museum of Art in New York is showing "Charles Ray: Figure Ground" through June 5. The exhibition surveys Ray's career beginning with photographs from the early 1970s and continuing through the sculptures he's made over the last several decades. The exhibition was organized by Kelly Baum and Brinda Kumar.

Ray came on the program in 2014 when he showed two new works at Matthew Marks Gallery in Los Angeles: Baled Truck, a sculpture of a truck that’s been crushed into a rectangular block junkyard-style, and Mime, a sculpture of a reclining male figure on a cot.

In 1998, the Museum of Contemporary Art, Los Angeles presented a Paul Schimmel-curated retrospective of Ray’s work that traveled to the Whitney Museum of American Art and the MCA Chicago. In 2014 the Kunstmuseum Basel presented an exhibition of 15 Ray sculptures made since 1997. An expanded version of that show will opened at the Art Institute of Chicago in 2015.

Images are available here.

Episode No. 545 is a holiday weekend clips episode featuring artist Charles Ray.

The Metropolitan Museum of Art in New York is showing "Charles Ray: Figure Ground" through June 5. The exhibition surveys Ray's career beginning with photographs from the early 1970s and continuing through the sculptures he's made over the last several decades. The exhibition was organized by Kelly Baum and Brinda Kumar.

Ray came on the program in 2014 when he showed two new works at Matthew Marks Gallery in Los Angeles: Baled Truck, a sculpture of a truck that’s been crushed into a rectangular block junkyard-style, and Mime, a sculpture of a reclining male figure on a cot.

In 1998, the Museum of Contemporary Art, Los Angeles presented a Paul Schimmel-curated retrospective of Ray’s work that traveled to the Whitney Museum of American Art and the MCA Chicago. In 2014 the Kunstmuseum Basel presented an exhibition of 15 Ray sculptures made since 1997. An expanded version of that show will opened at the Art Institute of Chicago in 2015.

Images are available here.

Episode No. 544 features curators Perrin Stein and Frederick Ilchman.

Stein is the curator of "Jacques Louis David: Radical Draftsman" at the Metropolitan Museum of Art in New York. The Met says it's the first exhibition devoted to David's works on paper. "David" features over 80 drawings, preparatory studies and oil sketches related to significant paintings that helped shape public understandings of major events in the years before, during and after the French Revolution. The exhibition is on view through May 15. The excellent exhibition catalogue was published by the Met. Indiebound and Amazon offer it for about $54-65.

Ilchman organized the MFA Boston presentation of "Turner's Modern World" with Julia Welch and Cara Wolahan. (The exhibition, which originated at the Tate, was curated David Brown, Amy Concannon, James Finch, and Sam Smiles with Hattie Spires.) "Turner's Modern World" features about 100 Turners, including paintings, watercolors, drawings and sketchbooks, and argues for the present sociopolitical relevance of Turner's work. In Boston, the presentation centers one of Turner's most important works, Slave Ship (1840), a dramatic indictment of the transatlantic slave trade. "Turner's Modern World" is on view through July 10. The catalogue was published by the Tate. Indiebound and Amazon offer it for $42-55.

Images will post on Saturday, April 9.

Episode No. 543 of The Modern Art Notes Podcast features curator Elyse Nelson.

Along with Wendy S. Walters, Nelson is the co-curator of "Fictions of Emancipation: Carpeaux Recast" at the Metropolitan Museum of Art. The exhibition interrogates French sculptor Jean-Baptiste Carpeaux's 1868/73 marble bust Why Born Enslaved! and places the sculpture in the context of French history, racialization, and in the representation of Black men and women by sculptors in Europe and the US during and after the nineteenth century. It's on view through March 5, 2023.

The Met has published an excellent catalogue for the project. It includes contributions from Sarah E. Lawrence, Iris Moon, Caitlin Meehye Beach, Rachel Hunter Himes, James Smalls, Adrienne Childs, Nelson, and Walters. It is available from Indiebound and Amazon for about $25.

Instagram: Elyse Nelson, Tyler Green.

Episode No. 542 features curator Paul Martineau and artist Marie Watt.

Martineau is the curator of "Imogen Cunningham: A Retrospective," which has finally arrived at the J. Paul Getty Museum, Los Angeles, after a two-year pandemic delay. The exhibition will be on view through June 12. Cunningham had a remarkable 75-year career that touched on seemingly every movement in American art and photography between the first decade of the 20th century and her death in 1976. She is particularly well-known for her address of pictorialism, her turn to modernism, as well as street photography, nudes and portraits. This interview was recorded when the Getty published the catalogue in 2020.

For images, see Episode No. 470.

On the second segment, a segment recorded with Marie Watt in 2020 when the Crystal Bridges Museum of American Art and the Museum of Native American History, both in Bentonville, Ark., presented an exhibition of her work called "Companion Species." Now the University of San Diego is presenting a survey of her printmaking titled "Storywork: The Prints of Marie Watt," which is on view through May 13. The Peabody Essex Museum in Salem, Massachusetts is showing "Each/Other: Marie Watt and Cannupa Hanska Luger," an exhibition that spotlights the two artists' shared interests in collaboration, community engagement, materiality and the land. It's on view through May 8.

For images, see Episode No. 482.

Episode No. 541 of The Modern Art Notes Podcast features artist Shahzia Sikander.

This weekend the Museum of Fine Arts Houston opens "Shahzia Sikander: Extraordinary Realities," a survey of the first 15 years of Sikander's career, from roughly the mid-to-late 1980s and until the early 2000s. It was curated by Jan Howard and Marny Kindness, and at the MFAH by Dena M. Woodall. The exhibition will remain on view through June 5, when it will travel to the RISD Museum in Providence, RI. The RISD Museum and Hirmer have published an excellent book of the same title in association with the exhibition. It was edited by Sadia Abbas and Jan Howard. Indiebound and Amazon each offer it for about $45.

Sikander came to prominence by melding Indo-Persian manuscript painting traditions with contemporary life and issues such as feminism, cultural identity, and more. Among the dozens of museums that have presented solo shows of her work are the Perez Art Museum in Miami, the Asian Art Museum in San Francisco, the Smithsonian American Art Museum, and the Museum of Contemporary Art in Tokyo.

Episode No. 540 features curator Judith W. Mann and artist Nicholas Galanin.

Mann is the curator of "Paintings on Stone: Science and the Sacred, 1530-1800," which is on view at the Saint Louis Art Museum through May 15. (Mann was assisted by Andrea Miller.) The exhibition, which includes more than 70 works by 58 artists, is the first examination of the pan-European practice of painting on stones such as lapis lazuli, slate and marble. The exhibition is accompanied by a terrific catalogue. Indiebound and Amazon offer it for about $50.

On April 7-8 SLAM will be presenting a virtual symposium that explores painting on stone and the role that stone played in the meaning of individual artworks. The symposium is free but requires Zoom registration.

Nicholas Galanin's work is on view in "The Scene Changes: Sculpture from the Sheldon's Collection" at the Sheldon Museum of Art at the University of Nebraska, Lincoln. The Sheldon acquired Galanin's 2012 The American Dream is Alie and Well in 2020.

Galanin's work has been the subject of solo shows at Davidson College, the BYU Museum of Art, the Montclair Art Museum, the Missoula Art Museum, the Anchorage Museum and more. In 2018 The Heard Museum in Phoenix presented a survey of Galanin's career. Later this year the Weatherspoon Art Museum at the University of North Carolina Greensboro and the Crystal Bridges Museum of American Art in Bentonville, Ark. will present exhibitions of Galanin's work.

Galanin is a Tlingit and Unangax̂ artist whose work examines contemporary Indigenous identity, culture and representation and interrogates the routine misappropriation of Native culture, colonialism and collective amnesia.

Episode No. 539 features artist Stephanie Syjuco and historian Kate Wilson.

Stephanie Syjuco's work is featured in several exhibitions around the United States. The Amon Carter Museum in Fort Worth is presenting "Stephanie Syjuco: Double Vision," a site-specific commission that builds from the Carter's collection to investigate historical and art historical narratives around American imperialism in the West. The project was curated by Kristen Gaylord and will be on view through January 2023.

Syjuco is also in "Futures," a 32,000-square-foot pan-Smithsonian exhibition on view at the Smithsonian's Arts & Industries building through July 6; "Constellations: Photographs in Dialogue" at the San Francisco Museum of Modern Art through August 21; and "Stephanie Syjuco: Latent Images" at New York's Ryan Lee Gallery through March 12.

Syjuco works across media such as installation and photography to investigate how images have helped build racialized, exclusionary narratives that have helped construct history and determine citizenship. Among the institutions that have presented her projects and solo exhibitions of her work are the Baltimore Museum of Art, the Blaffer Art Museum, the Contemporary Art Museum Saint Louis, the University of Kentucky, the Cantor Arts Center at Stanford University, and the Asian Art, Havana and Bucharest biennials.

Wilson is a senior lecturer in the Department of Classics in Arts & Sciences at Washington University in St. Louis. Last semester she taught a class called "Race and Identity in Greco-Roman Antiquity." Concurrently she organized a teaching gallery exhibition in Wash U's Kemper Art Museum titled, "Colonizing the Past: Constructing Race in Ancient Greece in Rome." The project was the rare presentation of whiteness studies-informed exhibition in American art museum.

Instagram: Stephanie Syjuco, Tyler Green. 

Episode No. 538 features curator Virginia Mecklenburg and artist Elizabeth Alexander.

Mecklenburg is the curator of "Fighters for Freedom: William H. Johnson Picturing Justice," which is at the Gibbes Museum of Art in Charleston through August 7.

The exhibition features a series of paintings Johnson made in the 1940s. It shows mostly Black activists, scientists, and educators, and spotlights their impacts on their communities and on the American nation. Johnson's subjects include Crispus Attucks, Harriet Tubman, Marian Anderson, and John Brown. The series also the international heads of state who brought an end to World War II.

The exhibition was organized from the collection of the Smithsonian American Art Museum, which holds over 1,000 Johnsons within its collection. Mecklenburg is a senior curator at SAAM. The exhibition will travel to SAAM in 2023-24; a significant national tour is in development.

Elizabeth Alexander is included in "Reckoning and Resilience: North Carolina Art Now" at the Nasher Museum of Art at Duke University. The exhibition features over 100 works by 30 artists working across North Carolina. Alexander's sculptures and installation are often made from deconstructed domestic materials and address America's history, especially the construction and memory of white supremacy. She's been included in exhibitions at the North Carolina Museum of Art, Raleigh; and the Museum of Art and Design, New York. Museums such as the Crystal Bridges Museum of American Art, Bentonville, Ark., and the Mint Museum, Charlotte hold her work in their collections.

Episode No. 537 is a holiday weekend clips episode featuring curators Erin Christovale and Anne T. Woollett.

Christovale discusses the retrospective “Ulysses Jenkins: Without Your Interpretation,” which is at the Hammer Museum in Los Angeles through May 15. Christovale co-curated the exhibition with Meg Onli. Jenkins is an influential video and performance artist whose work has examined how cultural iconography and history have informed representation. The exhibition catalogue was published by the hammer and the ICA Philadelphia, which debuted the show last year. Indiebound and Amazon offer it for about $40. The museums will also republish Jenkins’s memoir, “Doggerel Life: Stories of a Los Angeles Griot.” Amazon and Indiebound offer it for $15.

With Austėja Mackelaitė and John T. McQuillen, Woollett is a co-curator of “Hans Holbein: Capturing Character,” which is at the Morgan Library & Museum, New York, through May 15, 2022. The exhibition presents Hans Holbein the Younger as German but transnational, and situates his portraiture between not only influential court figures, but the leading intellectuals of contemporary Switzerland and England.

Remarkably, it is the first major Holbein exhibition in the US. Co-organized with the J. Paul Getty Museum, Los Angeles, “Holbein” features over 50 objects including 33 Holbein paintings and drawings. The excellent exhibition catalogue was published by the Getty. Amazon offers it for about $50.

Bloemink is the author of "Florine Stettheimer: A Biography," which was recently published by Hirmer Verlag. "Stettheimer" offers the early American modernist as a voracious consumer of European modernism, a networker who built impactful relationships with the New York avant garde, and as a major painter. Indiebound and Amazon offer it for $30-42.

Magid's work is on view at the Modern Art Museum of Fort Worth as part of the museum's "Focus" series. The exhibition features work in which Magid juxtaposes the COVID pandemic with the nation's often economically motivated response to it. To date, nearly one million Americans have been confirmed as dying from COVID, provisional counts based on statistical modeling are significantly higher. The exhibition, which was curated by Alison Hearst, will be on view through March 20.

Magid's work typically examines systems through conceptual strategies that allow her to investigate those systems from within.

Episode No. 535 of The Modern Art Notes Podcast features curator and historian Marin Sullivan and artist Olivia Block.

Along with Jed Morse, Sullivan is the co-curator of "Harry Bertoia: Sculpting Mid-Century Modern Life," the first American museum retrospective of Bertoia's work in over 50 years. The exhibition is at the Nasher Sculpture Center in Dallas through April 24. The exhibition features over 100 works, including Bertoia's early jewelry and furniture designs, monotypes, sculptures, and commissions he fulfilled for architect-clients such as Gordon Bunshaft, Eero Saarinen and Minoru Yamasaki. The exhibition is accompanied by an excellent catalogue published by the museum in collaboration with Verlag Scheidegger & Spiess. Indiebound and Amazon offer it for $59.

The Nasher has commissioned Olivia Block to make a new sound installation from recordings of Bertoia’s so-called sonambient sculptures. Block's new composition, titled The Speed of Sound in Infinite Copper, will highlight the Bertoias' ability to create a palpable sonic space while allowing the audience to activate the sonic experience by moving about a gallery. The Speed of Sound in Infinite Copper will be presented at the museum through April 24.

Block's discography includes over 20 solo and collaborative recordings. She has performed and exhibited around the world including in Chicago's Millennium Park, and at venues such as the Institute of Contemporary Art, London and the Museo Nacional Centro de Arte Reina Sofia, Madrid.

Episode No. 534 features artist Eamon Ore-Giron and curator Caitlin Haskell.

The Anderson Collection at Stanford University is presenting "Eamon Ore-Giron: Non Plus Ultra" through February 20. The exhibition features paintings Ore-Giron has made while on a Stanford residency, installed with works from the Anderson's collection. It was curated by Ore-Giron and Jason Linetzky.

Next month, The Museum of Contemporary Art Denver opens a survey of Ore-Giron's 20-year career titled "Eamon Ore-Giron: Competing with Lightning / Rivalizando con el relámpago." The exhibition, which was curated by Miranda Lash, will be on view from February 16 to May 22.

Ore-Giron's work joins histories, geographies and abstraction as a means by which to explore the layered past and present of the Americas. He's been featured in solo shows and two-person shows at LAXART and the 18th Street Arts Center in Los Angeles, the Pennsylvania Academy of the Fine Arts, and in group shows at SFMOMA, the Hammer Museum, Ballroom Marfa, and more.

Haskell discusses "Ray Johnson c/o," which spotlight's Johnson's work from almost exclusively within the AIC's recently acquired William S. Wilson Collection of Ray Johnson—the original archives of the international mail art network known as the New York Correspondence School (NYCS). It is on view through March 21. Haskell co-curated the show with Jordan Carter; the remarkable catalogue was designed by Irma Boom. It is available from Indiebound and Amazon from about $60.

Episode No. 533 features curator Anne Umland and art historian Jonathan Brown.

Along with Walburga Krupp, Eva Reifert and Natalia Sidlina, Umland is a co-curator of "Sophie Taeuber-Arp: Living Abstraction" at the Museum of Modern Art, New York. The exhibition surveys Taeuber-Arp's pioneering interests in Dada and abstraction across over 300 works, including textiles, beadwork, polychrome marionettes, architectural and interior designs, stained glass windows, works on paper, paintings, and relief sculptures.  The exhibition is on view through March 12. The outstanding exhibition catalogue was published by MoMA and the Kunstmuseum Basel. Indiebound and Amazon offer it for $57-75.

Brown was one of the world's leading scholars of art of Spain and the Spanish colonial world. He died on January 17 at 82. In addition to teaching at New York University, Brown was the editor, author or co-author of about 20 books on Spanish and Latin American art. He also curated exhibitions that explored the works of Murillo, Goya, Velazquez, Rubens, Van Dyck, Ribera, and more.

This clip was taken from Episode No. 137.

Episode No. 532 features artist Sandy Rodriguez and curator Austen Barron Bailly.

Sandy Rodriguez's history-and-the-present addressing work is featured in four ongoing museum presentations, including:

"Mixpantli: Contemporary Echoes" at the Los Angeles County Museum of Art through June 12;
"Borderlands" at the Huntington Library until fall;
"Re:Visión Art in the Americas" at the Denver Art Museum through July 17; and
"Sandy Rodriguez: In Isolation," a solo exhibition of 30 new works on paper that join addresses of American history to present events such as the COVID-19 pandemic and mass responses to police violence. It's on view through April 17.

In addition, Rodriguez is included in the Denver Art Museum exhibition "Traitor, Survivor, Icon: The Legacy of La Malinche," which will open February 6 before traveling to the San Antonio Museum of Art.

Rodriguez's work explores the methods and materials of painting in works that address Native and colonial histories, memory and contemporary events. Among her exhibition credits are the recent triennial at El Museo del Barrio, the Riverside Art Museum, Art + Practice, Los Angeles, and more.

On the second segment, Austen Barron Bailly discusses "In American Waters: The Sea in American Painting." The exhibition, which is at the Crystal Bridges Museum of American Art through January 31, features assorted pictures of marine art from across 250 years of US history. Bailly co-curated the show with Daniel Finamore.

Episode No. 531 features artist Beverly Semmes and curator Jeffrey Spier.

Beverly Semmes is included in "Witch Hunt," an exhibition that presents how 16 women artists have used feminist, queer, and decolonial strategies to explore gender, power, and the global impacts of patriarchy. It is on view across two venues, the Hammer Museum and the Institute of Contemporary Art, Los Angeles through January 9.

On January 9, the JOAN exhibition space in downtown Los Angeles was scheduled to host "Pool," a performance and installation developed as a collaboration between Jennifer Minniti and Semmes' CarWash Collective and Emily Mast. It has been postponed due to the pandemic. The performance will feature a new collection of CarWash garments based on Semmes' Feminist Responsibility Project. In New York, Susan Inglett Gallery will show new work from Semmes beginning February 3.

Semmes's multi-disciplinary work explores the body and its representation. Her work has been the subject of solo shows at the Henry Art Gallery at the University of Washington, the Tang Teaching Museum and Art Gallery at Skidmore College, the Irish Museum of Modern Art in Dublin, and more.

On the second segment, Spier discusses "Rubens: Picturing Antiquity," a Getty Villa exhibition that looks at how Rubens's work was informed by classical antiquity. It was curated by Anne T. Woollett, Davide Gasparotto, and Spier. It is on view through January 24. The excellent catalogue for the exhibition was published by the Getty. Amazon and Indiebound offer it for $40.

Instagram: Beverly Semmes, Tyler Green.

Episode No. 530 is a holiday clips episode featuring artist Wayne Thiebaud.

Thiebaud died on Christmas Day; he was 101. This episode was recorded in the final days of 2017, and aired in early 2018. For images see Episode No. 324.

Episode No. 529 is a holiday clips episode with art historian Debra Bricker Balken.

Balken is the author of "Arthur Dove: A Catalogue Raisonne of Paintings and Things," a thorough presentation that includes Dove's assemblages. Jessie Sentivan contributed to the book. It contains 537 illustrations, almost all of them in color, of each work Balken was able to identify, find, photograph and document. "Dove" includes a an essay on Dove's work and its critical reception, as well as mini-essays on major works. Many of the materials and images in the book are published for the first time here. It lists for $125 via Indiebound or Amazon.

Dove is among the most prominent American modernists of the early twentieth century, a key link between the American nature tradition and abstraction.

Episode No. 528 features artist Mitch Epstein and curator Edith Devaney.

Steidl has just published Epstein's newest book "Property Rights." Featuring 197 pictures across 288 pages, "Property Rights" examines the relationship between the United States, land and the impact of the American nation on the people who live here. The book was edited by Susan Bell and includes texts by both Epstein and Bell. Indiebound and Amazon offer it for about $75.

Epstein has published 15 books including "In India," "American Power," and "Family Business."

Devaney discusses "Milton Avery," a survey of the artist's career at the Modern Art Museum of Fort Worth. The exhibition features about 70 paintings Avery made between the 1910s and the mid-1960s and emphasizes Avery's interest in color. It's on view at MAMFW through January 30. "Avery" was co-organized by the Royal Academy, London, the Wadsworth Atheneum and MAMFW. Its catalogue was published by the Royal Academy. Indiebound and Amazon offer it for about $45.

Episode No. 527 features artist Jim Isermann and curator Oliver Tostmann.

Radius Books has just published the monograph "Jim Isermann." For forty years the California-based Isermann has joined sculpture and painting to design, examinations of domesticity and queerness. Last year the Palm Springs Art Museum presented a survey of Isermann's career. Isermann has fulfilled commissions for sites as unalike as football stadiums at the University of Houston and in Arlington, Texas, and for Stanford and Princeton Universities. His work is in many major art museum collections, including at the Museum of Modern Art and the Hammer Museum.

"Isermann" was designed by David Chickey and Mat Patalano. It features an essay by Christopher Knight and a conversation between Isermann and John Burtle. The book is available from Radius, Indiebound and Amazon for $60-65.

With Eve Straussman-Pflanzer, Tostmann is the co-curator of "By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800" at the Wadsworth Atheneum in Hartford. The exhibition explores how women artists succeeded even though many paths to professional development and patronage were closed to them. Among the artists whose work is included in the project are Gentileschi, Sofonisba Anguissola, Rosalba Carriera, Lavinia Fontana, and Virginia da Vezzo. "By Her Hand" is on view at the Wadsworth through January 9, when it will travel to the Detroit Institute of Arts. The exhibition catalogue was published by the DIA and is distributed by Yale University Press. Indiebound and Amazon offer it for about $40.

Episode No. 526 features artist Maya Dunietz and historian Jordana Mendelson.

Maya Dunietz is currently in residence at the Bemis Center for Contemporary Arts in Omaha in preparation for a 13,000-square-foot exhibition that will open May 5, 2022. Dunietz's exhibition will foreground the physicality of sound through a series of installations, including a 17-piano installation that builds on her 2021 work Five Chilling Mammoths and on 2016's Trembling Piano. This segment was taped before a live audience at the Bemis.

Dunietz  is a composer, performer, and sound artist whose work investigates the nexus of music, visual art, performance and technologies. She has created exhibitions, site-specific sound installations and performances for the Palais de Tokyo in Paris, the Reykjavik Arts Festival, the FRAC Provence-Alpes-Cote d'Azur, the Centre Pompidou and the Botanical Gardens in Jerusalem.

Mendelson discusses her essay, "The 'Mild' Manifesting of Pablo Picasso and Alexander Calder in Protest Ephemera and International Art Expositions during the Postwar" in the catalogue for "Calder-Picasso" which is at the Museum of Fine Arts Houston through January 30, 2022. Mendelson is the director of the King Juan Carlos I of Spain Center at New York University.

Episode No. 525 is a holiday clips episode that features curator Shawnya L. Harris.

Harris is the curator of "Emma Amos: Color Odyssey," a retrospective of Amos's career at the Philadelphia Museum of Art. It is on view through January 17, 2022.

Episode No. 524 of The Modern Art Notes Podcast features artists Odili Donald Odita and David Hartt.

Odili Donald Odita is featured in "Point of Departure: Abstraction 1958-Present" at the Sheldon Museum of Art at the University of Nebraska. The exhibition is drawn from the Sheldon's excellent collection of two-dimensional abstraction and reveals how artists have used abstraction to advance ideas and ideologies from outside art's own history.

Odita's abstract paintings marry color and composition to history, sociopolitical investigation and ideology. He has fulfilled major mural commissions for museums such as the Nasher Museum of Art at Duke University, the Philadelphia Museum of Art and the Virginia Museum of Fine Arts in Richmond. Recent exhibitions of his work have included the Laumeier and Jeske Sculpture Parks in Saint Louis and Ferguson, Missouri, the ICA Miami, the Sarasota Museum of Art, the Front International triennial in Cleveland, the Newark Museum of Art, and more.

David Hartt is the subject of a Hammer Projects exhibition on view at the Hammer Museum through January 2, 2022. The show features Hartt's 2020 The Histories (Old Black Joe), two jacquard-woven tapestries and a quadraphonic soundtrack arranged by musician Van Dyke Parks. Hartt's work joins and interrogates three nineteenth-century figures : American painter Robert S. Duncanson, Trinidadian painter Michel-Jean Cazabon, and composer Stephen Foster, whose song “Old Black Joe” has endured as a dying slave’s lament even though of Foster mostly wrote for blackface minstrel shows. The Hammer presentation was curated by Aram Moshayedi with Nicholas Barlow.

Other Hartt museum projects have included "David Hartt: A Colored Garden," which just closed at The Glass House in New Canaan, Conn., and exhibitions at the Art Institute of Chicago, The Graham Foundation in Chicago, LAXArt in Los Angeles, the Henry Art Gallery in Seattle, and the Studio Museum in Harlem.

Episode No. 523 features curators Anne T. Woollett and Shannon Vittoria.

With Austėja Mackelaitė and John T. McQuillen, Woollett is a co-curator of "Hans Holbein: Capturing Character in the Renaissance" at the J. Paul Getty Museum through January 9, 2022. The exhibition presents Hans Holbein the Younger as German but transnational, and situates his portraiture between not only influential court figures, but the leading intellectuals of contemporary Switzerland and England.

Remarkably, it is the first major Holbein exhibition in the US. Co-organized with the Morgan Library & Museum, New York, "Holbein" features over 50 objects including 33 Holbein paintings and drawings. 

Along with Elizabeth Kornhauser, Vittoria is the co-curator of "Jules Tavernier and the Elem Pomo." Vittoria wrote the essay on the Elem Pomo work included in the exhibition for The Met Bulletin that functions as the show's catalogue. It's at the Met through November 28.

Episode No. 522 features artist Aliza Nisenbaum and curator Davide Gasparotto.

Aliza Nisenbaum's work is on view at the Cleveland Museum of Art in "Picturing Motherhood Now," a look at how contemporary artists represent motherhood. Curated by Emily Liebert, it is on view through March 13, 2022.

The Kemper Museum of Contemporary Art in Kansas City is showing "Aliza Nisenbaum: Aquí Se Puede (Here You Can)," an exhibition of large-scale portraits of individuals connected to Kansas City salsa music and dance communities. It was curated by Erin Dziedzic and is up through July 31, 2022.

Tate Liverpool and the Minneapolis Institute of Arts are among the museums that have presented solo exhibitions of Nisenbaum's work.

Gasparotto discusses the J. Paul Getty Museum's acquisition of Jacopo Bassano's 1554 The Miracle of the Quails. The picture goes on view at the Getty today.

The nearly eight-foot-wide painting is a rare depiction of the Old Testament detailing of the miracle of the quails. Bassano based his visual account from a single line in the Bible's story.

Episode No. 521 features artists Barbara Kruger and Samantha Nye.

The Art Institute of Chicago is presenting "THINKING OF YOU. I MEAN ME. I MEAN YOU.," a survey spanning Kruger's career. The exhibition includes works on vinyl, site-specific installations, animations, and multichannel video installations installed in many disparate parts of the museum. It was organized by the AIC, the Los Angeles County Museum of Art, and the Museum of Modern Art, New York, to which it will travel after closing in Chicago on January 24, 2022. The exhibition was curated by James Rondeau, Robyn Farrell, Michael Govan, Rebecca Morse, and Peter Eleey. The handsome catalogue was co-published by LACMA and DelMonico Books. Indiebound and Amazon offer it for $45-60.

Kruger has also fulfilled a commission from the Isabella Stewart Gardner Museum in Boston titled "Body Language." The work, which is installed on the exterior of the ISGM's Renzo Piano-designed addition, features a detail from Titian's painting Diana and Actaeon, and was installed on the occasion of "Titian: Women, Myth & Power" at the museum. Kruger's work is on view through February 1, 2022.

The Kruger exhibition shop mentioned on the program is here.

Kruger was previously a guest on Episode No. 36.

Samantha Nye's work is on view in two exhibitions at the Museum of Fine Arts, Boston: "Samantha Nye: My Heart's in a Whirl," which closes this weekend, and "New Light: Encounters and Connections," which is on view through July 24, 2022. Nye's work broadens artistic constructs of beauty and sexuality by queering them and by foregrounding older people in her paintings, installations and videos.

Episode No. 520 features artists Mary Reid Kelley and Patrick Kelley, and historian Paul Farber.

New Kelleys are featured in two ongoing museum exhibitions.

The Isabella Stewart Gardner Museum in Boston is presenting the Kelleys' The Rape of Europa, a commission that engages the ISGM's 1559-1562 Titian, Rape of Europa (which is on view in "Titian: Women, Myth and Power"). The Rape of Europa will be on view through January 2, 2022. Pieranna Cavalchini oversaw the project for the ISGM.

Nathaniel Silver, who curated the ISGM's presentation of "Titian: Women, Myth and Power" was the first guest on Episode No. 514.

The Fabric Workshop and Museum in Philadelphia is showing "Mary Reid Kelley and Patrick Kelley: Blood Moon," which features two new Kelley film works and an immersive installation. The project was curated by Alec Unkovic and remains on view through February 20, 2022.

On the second segment, Monument Lab director Paul M. Farber discusses Monument Lab's National Monument Audit, which he co-directed with Laurie Allen and Sue Mobley. In addition to the project website, Monument Lab offers a free PDF of the audit.

Episode No. 519 features author Gabrielle Selz and curator Malcolm Daniel.

Selz is the author of the new biography "Light on Fire: The Art and Life of Sam Francis." The book tells the story of Francis' wild, often tumultuous, multi-continental life -- Selz was a California native who was always more interested in Europe and Asia than he was in New York -- and details the making of his work, its global reception, and his efforts to help found art museums, such as the Museum of Contemporary Art, Los Angeles. The book was published by University of California Press. Indiebound and Amazon offer it for about $35.

On the second segment, Daniel discusses the Museum of Fine Arts, Houston's acquisition of a major Julia Margaret Cameron album. The album, known as The Norman Album because it remained in the family of Cameron's daughter Julia Hay Norman until it was acquired by the MFAH, includes over 70 prints, including Cameron's famed portraits of Alfred Lord Tennyson, Thomas Carlyle, Charles Darwin, John Herschel and others. Cameron's daughter introduced her to photography; Cameron gave her the album as thanks.

Episode No. 518 features artist Hugo McCloud and curator Erin Christovale.

McCloud's work is on view in "In Relation to Power: Politically Engaged Works from the Collection" at the Nasher Museum of Art at Duke University, which was curated by Marshall Price and Adria Gunter, and is on view through February 13, 2022; and in "Hugo McCloud: from where I stand" at the Aldrich Contemporary Art Museum, which was curated by Richard Klein and is on view through January 2, 2022.

McCloud's work engages questions around labor, environmental impacts and global markets and politics often through materials that relate to the people, histories and issues he addresses. He has been featured in group shows at the Studio Museum in Harlem and at The Drawing Center in New York. His work is in the collection of museums such as the Detroit Institute of Arts, the Smithsonian's National Museum of African American History and Culture, and the North Carolina Museum of Art.

On the second segment, Christovale discusses the retrospective "Ulysses Jenkins: Without Your Interpretation," which is at the Institute of Contemporary Art, Philadelphia through December 30, 2021. Christovale co-curated the exhibition with Meg Onli. Jenkins is an influential video and performance artist whose work has examined how cultural iconography and history have informed representation.The exhibition will travel to the Hammer Museum, Los Angeles next year. The exhibition catalogue was published by the two museums. Indiebound and Amazon offer it for about $40. The museums will also republish Jenkins's memoir, "Doggerel Life: Stories of a Los Angeles Griot."

Episode No. 517 features author Tyler Green with curator and art historian Elizabeth Kornhauser; and artist Lisa Corinne Davis.

Tyler Green is the author of "Emerson's Nature and the Artists," which features a new appraisal of Ralph Waldo Emerson’s classic text, new research that reveals how it was informed by Emerson’s engagement with American art, and critical analysis of how the ideas Emerson offered in "Nature" informed American art for 100 years after it was published.

Green is (usually) the producer/host of The Modern Art Notes Podcast.

Green is interviewed by Elizabeth Kornhauser, a curator in the American Wing at the Metropolitan Museum of Art. Along with Tim Barringer, Kornhauser curated "Thomas Cole's Journey: Atlantic Crossings" at New York's Metropolitan Museum of Art and London's National Gallery, which helped motivate his new book. Kornhauser's "Jules Tavernier and the Elem Pomo," which she co-curated with Shannon Vittoria, is on view now at the Met. She discussed it on Episode No. 515 of The MAN Podcast.

"Emerson's Nature and the Artists" was published by Prestel. Indiebound and Amazon offer it for $25. For a personalized, signed copy, contact the author.

On the second segment, Lisa Corinne Davis discusses her work on the occasion of "Point of Departure: Abstraction 1958–Present" at the Sheldon Museum of Art at the University of Nebraska. The exhibition, drawn primarily from the museum's collection, surveys two-dimensional abstraction and is on view through December 23. Davis' work is in the collection of museums such as the Museum of Modern Art, New York, the Philadelphia Museum of Art, and the Fine Arts Museums of San Francisco. Among her many awards are a National Endowment for the Arts Visual Artist Fellowship and a Louis Comfort Tiffany Foundation award.

Episode No. 516 features art historian and author Mary Beard and artist Tabitha Soren.

Beard's new book is Twelve Caesars: Images of Power from the Ancient World to the Modern. It details how for more than two millennia, portraits of the rich and powerful have been informed by portraits of Roman emperors (and often by portraits believed to be Roman emperors), and investigates how 12 murderous rulers came to be so prominent in the work of artists -- and in the minds of patrons -- ever after.

The book descends from Beard's 2011 Mellon Lectures at the National Gallery of Art. Indiebound and Amazon offer the book for about $35.

Material referenced on the program includes:

• Aegidius Sadeler II's prints after Titian's Eleven Caesars (which were destroyed by fire in 1734).
• Hall of the Emperors, Capitoline Museums, Rome.

On the second segment, Tabitha Soren discusses her work on the occasion of "Surface Tension" at the Mills College Art Museum in Oakland, Calif. The exhibition features work from Soren's series of the same title, pictures of iPad screens made to reveal how we interact with digital screens in ways that join touch, art history and the present. The exhibition is on view through December 12.

Concurrently, RVB Books has published a book of pictures from the series. It's also titled Surface Tension and includes an essay by Jia Tolentino. As of taping, it's available from RVB Books for 29€.

Works from the series have previously been shown at museums such as the Davis Museum at Wellesley College and at Transformer Station in Cleveland. Soren's work is in the collections of many museums, including the J. Paul Getty Museum, the Harvard Art Museums, the New Orleans Museum of Art and the George Eastman Museum.

Episode No. 515 of The Modern Art Notes Podcast features curator Betsy Kornhauser and art historian Aaron M. Hyman.

Along with Shannon Vittoria, Kornhauser is the co-curator of "Jules Tavernier and the Elem Pomo" at the Metropolitan Museum of Art. The exhibition examines the cultural interchange within Tavernier's Dance in a Subterranean Roundhouse at Clear Lake, California (1878), which the Met acquired in 2016, and the Elem Pomo portrayed within it. It also complicates Tavernier's picture and oeuvre by examining his other representations of Indigenous life as well as his engagement with the international banking and mining interests that developed the Clear Lake site and region represented in this picture, much of which had been made toxic by borax and mercury extraction.

The exhibition is on view in New York through November 28 before traveling to the de Young Museum in San Francisco. It is accompanied by an issue of the Met Bulletin that includes contributions from Elem Pomo cultural leader and regalia maker Robert Joseph Geary. The Bulletin is not available via the web, but it may be purchased for $14.95 at the Met or via phone by calling 212-570-3894 and asking for item number 80054339.

(A later MAN Podcast segment will focus on the Pomo material within the exhibition.)

On the second segment, Hyman discusses his new book Rubens in Repeat: The Logic of the Copy in Colonial Latin America. It examines the impact Peter Paul Rubens's prints had on art in Spanish colonies in the Americas, and how artists in the New World came to deviate from Rubens's constructions to build a new art history. Hyman teaches art history at Johns Hopkins University. Rubens in Repeat is published by the Getty Research Institute and Getty Publications, and will be available next month. Indiebound and Amazon offer it for about $70.

Episode No. 514 features curators Nathaniel Silver and Amy L. Powell.

Silver is the curator of the Isabella Stewart Gardner Museum's presentation of "Titian: Women, Myth & Power," which re-unites Titian's greatest series of mythological paintings for the first time in more than 400 years.

In 1550, Prince Philip of Spain, the future King Philip II, commissioned Titian to make a group of paintings. Among them is the Gardner's 1559-62 The Rape of Europa, as well as The Wallace Collection, London's Perseus and Andromeda, The Wellington Collection's Danaë, the Prado's Venus and Adonis, and Diana and Actaeon and Diana and Callisto, which are jointly owned by the National Gallery, London and the National Galleries of Scotland, Edinburgh.

Curators of the exhibition include Silver, Matthias Wivel at the National Gallery, London (where it was titled "Love, Desire, Death"), and at the Prado, Miguel Falomir and Alejandro Vergara curated "Mythological Passions," which included the Titian suite. A planned exhibition in Scotland was canceled due to the COVID-19 pandemic.

The exhibition is on view in Boston through January 2, 2022. On the occasion of the exhibition, the ISGM has published "Titian's Rape of Europa," a consideration of the ISGM's picture. It was edited by Silver and published by the ISGM and Paul Holberton Publishing. Indiebound and Amazon offer it for about $25.

On the second segment, Powell discusses her survey "A Question of Emphasis: Louise Fishman Drawing" at the Krannert Art Museum at the University of Illinois. The exhibition, the first survey of Fishman's works on paper, is on view through February 26, 2022. The excellent exhibition catalogue was published by the museum. Indiebound and Amazon offer it for about $40.

Episode No. 513 is a holiday weekend clips episode featuring curator Nicole R. Myers.

With Katherine Rothkopf, Myers is the co-curator of "Cubism in Color: The Still Lifes of Juan Gris", which opens at the Baltimore Museum of Art on September 12. Myers is a curator at the Dallas Museum of Art. Across more than 40 paintings, the exhibition explores how Gris brought color to cubism in still-life painting of striking vivacity. It will be on view in Baltimore through January 9, 2022. The outstanding exhibition catalogue was published by the two museums and distributed by Yale University Press. It's available for about $45 from Indiebound and Amazon.

Episode No. 512 is a summer clips episode featuring artist Pipilotti Rist.

The Museum of Contemporary Art, Los Angeles opens "Pipilotti Rist: Big Heartedness, Be My Neighbor" at its Geffen Contemporary building on September 12. Curated by Anna Katz, the exhibition will be Rist's first West Coast survey. It will remain on view through June 6, 2022.

Host Tyler Green's conversation with Rist was taped in 2016 on the occasion of a survey at the New Museum, New York.

Episode No. 511 features author Laura Raicovich.

Raichovich is the author of "Culture Strike: Art and Museums in the Age of Protest," which was published by Verso. The book examines the ways in which art museums have too often insisted on policies and presentations that are allegedly neutral and centrist. Raicovich argues that in working to maintain a broad status quo, too many art museums have failed to prioritize investigation and truth, details the protest movements that have urged museums to be truer to their missions and ideals, and offers some ways forward. "Culture Strike" is available from Indiebound and Amazon for $23-27.

Raicovich is the former director of the Queens Museum and held leadership positions at Creative Time and the Dia Art Foundation. Most recently, she was the interim director of the Leslie Lohman Museum of Art.

Episode No. 510 features curator Seth Feman and historian Bernard L. Herman.

Along with Jonathan Frederick Walz, Feman is the co-curator of "Alma W. Thomas: Everything is Beautiful," a retrospective at the Chrysler Museum of Art in Norfolk, Va. through October 3. The exhibition includes about 100 works, including paintings on canvas and paper, theatrical designs, and more. From the Chrysler it will travel to the Phillips Collection in Washington, the Frist Art Museum in Nashville, and to Thomas's hometown Columbus (Ga.) Museum. The exhibition's outstanding catalogue is now the go-to monograph on the artist. It was published by the Chrysler and Columbus in association with Yale University Press. Indiebound and Amazon offer it for about $65.

On the second segment, Herman discusses the work of Ronald Lockett. Lockett's work is on view at the Crystal Bridges Museum of American Art in Fayetteville, Ark. through October 11 in "What I Know: Gifts from Gordon W. Bailey," and in "In Dialogue: Artist, Mentor, Friend: Ronald Lockett and Thornton Dial Sr." at the Georgia Museum of Art in Athens through November 28. Herman curated the 2016-17 Lockett retrospective "Fever Within: The Art of Ronald Lockett" and edited the exhibition's superb catalogue, which was published by University of North Carolina Press. Indiebound and Amazon offer it for $36-45.

Episode No. 509 features artist Allison Janae Hamilton and curator Tamara Schenkenberg.

Allison Janae Hamilton is included in "Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse," which is at the Virginia Museum of Fine Arts in Richmond through September 6. The exhibition, which was curated by Valerie Cassel Oliver, examines the aesthetics of early 20th-century Black culture across the South. It details how sonic and visual parallels in Southern Black culture have informed and shaped broader contemporary American culture. She's also included in "Enunciated Life" at the California African American Museum in Los Angeles, which considers Black spirituality. It was curated by Taylor Renee Aldridge and runs through August 15.

Hamilton's work investigates and reveals the South's history and landscape and their influence on the American story across photographs, sculpture, video and installation. She has had solo exhibitions at Recess in New York, the Atlanta Contemporary and at MASS MoCA, and New York's Times Square Arts and Creative Time have presented her work.

Clips from several of the Hamilton video installations discussed on this program are available on Hamilton's Vimeo page, including:

• Wacissa (2019);
• Waters of a Lower Register (2020); and
• A Pale Horse (2021);

On the second segment, Schenkenberg discusses her exhibition "Hannah Wilke: Art for Life's Sake," which is at the Pulitzer Foundation for the Arts in Saint Louis through January 16, 2022. The career-spanning exhibition features 120 works that reveal how Wilke considered the vulnerability of the human body as essential to experiencing life and connection. The museum's exhibition guide is available as a free download.

Episode No. 508 features curators Jodi Hauptman and Samantha Friedman; a clip from a performance by Marcus Fischer, and curator Laura Llewellyn.

Hauptman and Friedman are the curators of "Cézanne Drawing" at the Museum of Modern Art, New York. (They were assisted by Kiko Aebi.) The exhibition surveys 250 of Cezanne's works on paper, from drawings to watercolors, and includes several key paintings as well. It is on view through September 25. The exhibition catalogue was published by MoMA. It is available from Indiebound and Amazon for $40-45.

Along with John Witty, Laura Llewellyn is the co-curator of "Paolo Veneziano Art & Devotion in 14th-Century Venice" at the J. Paul Getty Museum in Los Angeles. The exhibition, the first of Paolo's work in the United States, reunites panels that originally formed a larger ensemble but are today scattered across different collections, including the Getty's. It is on view at the Getty through October 3. The exhibition catalogue was published by the Frick Collection in association with Paul Holberton Publishing. It is available from Indiebound and Amazon for $60.

The program also includes a clip from Marcus Fischer, one of the artists curator Rachel Adams included in "All Together, Amongst Many: Reflections on Empathy" at the Bemis Center for Contemporary Arts in Omaha.

Episode No. 507 features authors Mark Stevens and Annalyn Swan; and Kathryn Brown.

Stevens and Swan are the co-authors of the biography "Francis Bacon: Revelations," a broad-ranging look at the British artist's life and work. It was recently published by Knopf. Indiebound and Amazon offer it for $18-60. Stevens and Swan's 2005 biography of Willem de Kooning won a Pulitzer Prize and the National Book Critics Circle Award.

Kathryn Brown is the author of "Henri Matisse," a critical biography just released as part of Reaktion Books' "Critical Lives" series. Brown's book offers new ideas about important paintings and presents the ways in which contemporary critics engaged with and presented Matisse's work. Amazon offers it for $10-19.

Episode No. 506 features artist Sarah Cain and curator Robert Cozzolino.

The National Gallery of Art is showing Cain's "My favorite season is the fall of the patriarchy" into December.

The Tang Teaching Museum at Skidmore College in Saratoga Springs, NY is showing Cain in "Enter the Center" through January 2, 2022.

A site-responsive exhibition of her work titled "Sarah Cain: In Nature" closed at The Momentary in Bentonville, Ark. at the end of May.

Previously Cain received solo exhibitions at the Contemporary Art Museum Raleigh, the Institute of Contemporary Art, Los Angeles, and at the Museum of Contemporary Art San Diego, and she fulfilled a permanent commission at the San Francisco International Airport.

Cozzolino is the curator of "Supernatural America: The Paranormal in American Art," which is at the Toledo Museum of Art through September 5. It examines the relationship between American art and ideas of the supernatural across several centuries. The exhibition will travel from Toledo to the Speed Art Museum in Louisville before arriving at Cozzolino's home institution, the Minneapolis Institute of Art.

Episode No. 505 features artists Joel Meyerowitz and Elizabeth James-Perry.

Damiani has published a new edition of Joel Meyerowitz's 1983 book "Wild Flowers." The new, expanded edition includes pictures both from the 1983 book, and new pictures that expand on the ways in which Meyerowitz found flowers recurring throughout much of his work. Amazon and Indiebound offer it for around $55.

Meyerowitz came to prominence as a street photographer in the 1960s, was a leader in adopting color photography, and has published 26 books, including the classics Cape Light, St. Louis and the Arch, and Aftermath.

Along with Ekua Holmes, Elizabeth James-Perry has created a "Garden for Boston" outside the Museum of Fine Arts, Boston's main, Huntington Avenue-facing entrance. The installations respond to Cyrus Dallin’s monumental bronze sculpture Appeal to the Great Spirit (1909) which has stood at the entrance to the museum for over 100 years. James-Perry is a Aquinnah Wampanoag artist whose work extends coastal Algonquian culture through craft and conceptual projects.

Episode No. 504 is a holiday weekend clips episode featuring artist Alison Saar.

The Benton Museum of Art at Pomona College in Claremont, Calif. and the Armory Center for the Arts in Pasadena, Calif. have partnered to present “Alison Saar: Of Aether and Earthe.” The exhibition, which was curated by Rebecca McGrew and Irene Tsatsos, surveys Saar’s work related to myths and hidden histories and archetypes. The Benton has re-opened for groups of up to six for one-hour visits Tuesdays through Saturdays. Reservations are required. The Armory Center for the Arts is open Friday through Sunday beginning July 16. Required reservations will be available on July 8.

Episode No. 503 features artist Wael Shawky and curator Elaine Yau.

Shawky's work is on view at the Modern Art Museum of Fort Worth in "FOCUS: Wael Shawky" through July 25. The exhibition features a film from Shawky's Cabaret Crusades trilogy, along with new and related drawings and sculpture. The MAMFW presentation was curated by Alison Hearst.

Shawky's research-driven work considers and revises global histories through film, peformance, sculpture and installation. His work has been the subject of exhibitions at the Louvre Abu Dhabi, MOCA, the Hammer Museum, the Castello di Rivoli and Turin, and more.

On the second segment, Berkeley Art Museum curator Elaine Yau discusses "Rosie Lee Tompkins: A Retrospective," which is on view at the museum through July 18. Tompkins was an Arkansas-born, East Bay-based quiltmaker whose work addressed textile traditions, the Bible, and American histories.

Episode No. 501 features curator Davide Gasporotto and conservator Marcia Steele.

Gasporotto, the senior curator of paintings at the J. Paul Getty Museum, recently acquired Artemisia Gentileschi's Lucretia (about 1627) for the museum. It went on view for the first time when the Getty re-opened after its pandemic-related closure.

Gentileschi's Lucretia shows the wife of Roman nobleman Lucius Tarquinius Collatinus. After Lucretia was raped by a son of the king, she stabbed herself to death. Her suicide led to a rebellion that drove the ruling family from Rome and led to the the foundation of the Roman Republic. She was favorite subject of Renaissance and Baroque art.

Marcia Steele led the conservation of Orazio Gentileschi's 1621-22 Danaë at the Cleveland Museum of Art. The conserved picture debuts in "Variations: The Reuse of Models in Paintings by Orazio and Artemisia Gentileschi," which is on view through August 22. Steele just retired as senior conservator at the museum.

Episode No. 501 of The Modern Art Notes Podcast features artists Ekene Ijeoma and Chloë Bass.

Ijeoma is featured in "All Together, Amongst Many: Reflections on Empathy" at the Bemis Center for Contemporary Arts in Omaha. The exhibition, which was curated by Rachel Adams, examines how artists have centered empathy within their work. It is on view through September 19.

Ekene Ijeoma is the director of Poetic Justice at the MIT Media Lab. His work brings together data with aesthetics and social issues across disciplines such as performance and installation. His work has been exhibited at institutions such as Storefront for Art and Architecture, The Kennedy Center, Washington, the Contemporary Art Museum Houston, and the Contemporary Art Museum St. Louis. His A Counting, a series of multimedia linguistic portraits of the United States created by crowdsourced recording, is currently on view in Houston, St. Louis and at the Bemis. Listeners may participate by calling a toll-free number via this link.

Ijeoma's website has extensive detailing of additional projects discussed on the program, including:

• Breathing Pavilion, 2021;
• Heartfelt #2, 2019-present;
• Wage Islands #2, 2019;
• Deconstructed Anthems, 2017-present; and
• The Refugee Project, 2014-present.

The Pulitzer Arts Foundation is showing "Chloë Bass: Wayfinding" through October 31. The exhibition is an installation of sculpture informed by public wayfinding signage of the sort that directs tourists through a city. Chloë Bass created more than 30 signs which she then placed throughout the Pulitzer's outdoor spaces. "Wayfinding" is part of Bass's "Obligation to Others Holds Me In My Place" project.

"Wayfinding" includes a site-specific audio work narrated by both the artist and a group of Saint Louis collaborators. Listeners may access the site-specific audio work by calling via this link or via the SoundCloud file below. See the Pulitzer's exhibition guide.

Bass's often conceptual practice examines daily life and human intimacy. Her work has been exhibited at the Studio Museum in Harlem, New York's Public Art Fund, the Kunsthalle Wilhelmshaven in Germany, and plenty more.

Episode No. 500 features artists Nancy Grossman and Stacy Lynn Waddell.

Grossman is featured in "Nasher Mixtape," a series of micro-exhibitions at the Nasher Sculpture Center in Dallas through September 26; and in "Vibrant: Artists Engage with Color" at the Weatherspoon Art Museum at the University of North Carolina, Greensboro through June 26.

Grossman's leather-wrapped wooden sculptures are among the most iconic works of twentieth-century art, but are far from her only engagements with the figure. Grossman started her career by painting the female figure, went on to collages built from leather and other found material, to dyed-paper collages of the human figure and more. The Tang Museum at Skidmore College presented a retrospective of her work in 2012.

Waddell is included in three ongoing museum exhibitions, including:

• "Graphic Pull: Contemporary Prints from the Collection" at the Nasher Museum of Art at Duke University through June 6. The exhibition is open to to the Duke community only; a thorough virtual tour is available here.
• "Silent Streets: Art in the Time of the Pandemic" at the Mint Museum Uptown in Charlotte. A closing date has not yet been determined; and
• "Taking Space: Contemporary Women Artists and the Politics of Scale" at the Pennsylvania Academy of Fine Arts in Philadelphia through September 5.

Waddell's work examines both real and imagined histories, often with materials and processes that themselves reference the past.

Episode No. 499 is a Memorial Day weekend clips episode featuring Senga Nengudi.

The Philadelphia Museum of Art is presenting "Senga Nengudi: Topologies," a survey of Nengudi's career. It is on view through July 25. It was organized by Stephanie Weber for the Lenbachhaus Munich; the Philadelphia presentation was spearheaded by Amanda Sroka with assistance from Alexis Assam.

Episode No. 498 features artist Ken Gonzales-Day and curator Rachel Adams.

Gonzales-Day is among the artists included in "Photo Flux: Unshuttering LA" at the J. Paul Getty Museum. The exhibition opens when Getty Center re-opens on May 25, and will be on view through October 10. "Photo Flux" features pictures by 35 Los Angeles-based artists who challenge ideals related to beauty, representation, cultural capital and objectivity. It was curated by jill moniz.

Gonzales-Day's work considers the historical construction of race and the limits of representational systems, such as photographs of lynchings and museum displays. His book "Lynching in the West: 1850-1935" expanded our understanding of racialized violence in the United States through the discovery of photographs of lynchings of Latinos, Native Americans, Asians and African-Americans in California. His work has been the subject of solo or two-person exhibitions at museums such as the Smithsonian's National Portrait Gallery and the Palais de Tokyo in Paris.

On the second segment, Bemis Center for Contemporary Arts chief curator and director of programs Rachel Adams previews "Celebrating Tony Conrad," a two-day online streaming festival honoring and highlighting Conrad's collaborations with musicians and performers from around the world. The event streams from the Bemis YouTube page on May 27 and 28 at 5 pm ET.

Conrad was a pioneering experimental media artist whose work, beginning in the early 1960s, helped initiate ways in which artists have explored audio and video.

Episode No. 497 features curator E. Carmen Ramos and artist Michael Menchaca.

Ramos has curated "¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now," which is at the Smithsonian American Art Museum through August 8. (SAAM re-opens on Friday, May 14 with separate, timed-entry passes required for each of its buildings.) Ramos was assisted by Claudia Zapata. Menchaca is among the artists included in the exhibition.

"¡Printing the Revolution!" reveals how activist Chicano artists from the 1960s forward have engaged in printmaking practices that brought social activism to aesthetics and that helped instigate new political and cultural consciousness among people of Mexican descent in the U.S. The fantastic exhibition catalogue was published by Princeton University Press. Indiebound and Amazon offer it for $38 and up.

Links, including those promised on the program:

• Tomás Ybarra-Frausto's papers at the Smithsonian's Archives of American Art.
• The exhibition's artists page.
• Enrique Chagoya, The Ghost of Liberty, 2004.

Menchaca is also included in "Estamos Bien - La Triennial 20/21," which is on view at El Museo del Barrio in New York through September 26. It was curated by Rodrigo Moura, Susanna V. Temkin and Elia Alba. Menchaca is also presently in residence at Artpace San Antonio.

Menchaca uses both print and new media to disrupt racist narratives that target Black and indigenous people by creating anti-colonial, anti-racist and anti-capitalist scenes.  He has had solo exhibitions at the Chrysler Museum of Art in Norfolk, the Lawndale Art Center in Houston, and the McNay Art Museum in San Antonio. His recent group show credits include the Cleveland Museum of Art and the Davis Museum at Wellesley College.

Episode No. 496 features curator Kelly Baum and art historian Judith Zilczer.

Along with Randall Griffey, Baum is the co-curator of the retrospective exhibition "Alice Neel: People Come First" at the Metropolitan Museum of Art. The exhibition is on view through August 1. It presents Neel as a radical portraitist whose work most often foregrounded humanism and social justice. The exhibition catalogue was published by the Met. Indiebound and Amazon offer it for around $50.

On the second segment, Judith Zilczer discusses Willem de Kooning's engagement with Chaim Soutine's work on the occasion of "Soutine/de Kooning: Conversations in Paint" at the Barnes Foundation. Zilczer contributed an essay to the catalogue, which was published by the Barnes in association with the Musees d'Orsay and l'Orangerie in Paris, and Paul Holberton Publishing. The exhibition was curated by Simonetta Fraquelli and Claire Bernardi. It is on view in Philadelphia through August 8.

Episode No. 495 features curators Chris Oliver and Corey Piper.

Oliver is the curator of "Virginia Arcadia: The Natural Bridge in American Art" at the Virginia Museum of Fine Arts in Richmond. The exhibition, which is on view through August 1, examines how artists portrayed the Natural Bridge, the famed landscape feature in Virginia's Shenandoah Valley. Despite being in the South, a region rarely visited by artists who tended to focus their work on the northeast, the Natural Bridge attracted artists such as Frederic Church and David Johnson who were interested in its geology, its association with Thomas Jefferson (who owned the land that contains the Natural Bridge), how it could be used to address American republicanism and Union, and more. The exhibition is accompanied by a small catalogue published by VMFA, which offers it for $20.

Along with Brandon Ruud, Corey Piper is the co-curator of "Americans in Spain: Painting and Travel, 1820-1920" at the Chrysler Museum of Art in Norfolk, Virginia. It looks at a period when both American artists and Europeans rushed into Spain to chronicle its scenic landscapes and cities and to learn from painters such as Velasquez, and considers how Spain and Spanish art informed America's art. The exhibition is at the Chrysler through May 16; it will travel to the Milwaukee Art Museum. The fine exhibition catalogue is available from Indiebound and Amazon for about $60.

Episode No. 494 features art historian Jennifer Roberts and master printer and author Phil Sanders.

Beginning this Sunday, April 25, Roberts will deliver the 2021 Mellon Lectures, America's leading series of annual lectures about art. Typically delivered at the National Gallery of Art each year over six consecutive Sundays in the early spring, the pandemic has required an adjustment. Roberts will deliver this year's Mellons digitally. As ever they will be presented weekly and on Sundays. You can watch them on the NGA's website, where they will remain available for viewing. (No registration is required.)

Roberts's lectures are titled "Contact: Art and the Pull of the Print." Roberts will consider printmaking as a physical experience, and will point to how artists have used the physicality inherent in printmaking as metaphors for the themes and topics they address in their work. Roberts's lectures will primarily focus on American and European contemporary art, and will address work by artists such as Jasper Johns, Robert Rauschenberg, David Hammons, Christiane Baumgartner and Glenn Ligon.

Roberts is a professor at Harvard University.

On the second segment, Phil Sanders discusses his new book "Prints and their Makers," which was published by Princeton University Press.

Episode No. 493 features artist Buck Ellison and curator Lewis Tanner Moore.

Buck Ellison is included in "Made in LA 2020: a vision," the fifth iteration of the Hammer Museum's biennial. The exhibition, curated by Myriam Ben Salah and Lauren Mackler with the Hammer’s Ikechukwu Onyewuenyi, opens to the general public on April 17 at both the Hammer and The Huntington Library, Art Museum and Gardens. Online and offsite projects by Larry Johnson and Kahlil Joseph, Ligia Lewis, and Justen LeRoy on view now.

Ellison is a photographer whose work often engages the social codes (and excesses) of whiteness. "Living Trust," his first monograph, investigates the presentation of white privilege, often through staged and performed pictures. It won the 2020 Paris Photo-Aperture First Photobook of the Year Award.

Five Made in L.A. 2020 artists have been featured on The MAN Podcast: Monica Majoli and Mario Ayala; Jill Mulleady and Umar Rashid; and Jacqueline Kiyomi Gork.

On the second segment, Lewis Tanner Moore discusses painter Louis Sloan, whose work is on view in "Barriers and Disparities: Housing in America" at the Sheldon Museum of Art. Sloan had a long, celebrated career as a painter, teacher and conservator in Philadelphia. Moore curated a survey of Sloan's work at the Pennsylvania Academy of Fine Arts in 2008.

Episode No. 492 features curators Allison Glenn and Jeffrey Richmond-Moll.

Glenn is the curator of "Promise, Witness, Remembrance," at the Speed Art Museum in Louisville. The exhibition reflects on the life of Breonna Taylor, an emergency medical technician who was killed by Louisville police, and the subsequent year of protests and remembrance. The exhibition is on view through June 6. Glenn is a curator at the Crystal Bridges Museum of American Art.

Artists in "Promise, Witness, Remembrance" who have been guests on The MAN Podcast include Bethany Collins, Kerry James Marshall (twice), Lorna Simpson and Amy Sherald; artists whose work has been the subject of MAN Podcast episodes include: Terry Adkins (with Stephaine Weissberg) and Sherald (on the Vanity Fair cover with Nzinga Simmons). A clip from Jon-Sesrie Goff's 2016 A Site of Reckoning: Battlefield is here.

On the second segment Jeffrey Richmond-Moll discusses "Extra Ordinary: Magic, Mystery and Imagination in American Art" at the Georgia Museum of Art. The exhibition surveys American artists who rejected abstraction to make representational, often hyper-real paintings that addressed the strangeness of changing, churning American life. The exhibition is on view through June 13. The excellent exhibition catalogue was published by GMOA. Amazon offers it for about $50.

Episode No. 491 of The Modern Art Notes Podcast is a holiday weekend clips episode featuring artist Torkwase Dyson.

Dyson is included in “Climate Changing: On Artists, Institutions, and the Social Environment” at the Wexner Center for the Arts in Columbus, Ohio through May 9. The exhibition looks at how artists engage with social issues and how they may shape institutions at a time when both racism and a global pandemic have caused many institutions to re-consider their construction and practices. The exhibition was curated by Lucy I. Zimmerman. “Climate Changing” features nine artworks commissioned by the Wexner, including work Torkwase Dyson discussed on the program last September, when this conversation first aired.

The Contemporary Art Museum St. Louis is exhibiting paintings from Dyson's "Bird and Lava" series, an exploration of spaces of geographic, architectural, and infrastructural liberation, in "Stories of Resistance." Dyson developed "Bird and Lava" during a residency at the Wexner. Curated by Wassan Al-Khudhairi with Misa Jeffereis, "Stories" looks at artistic forms of resistance in the U.S. and abroad. It's on view through August 15.

Episode No. 490 features curators Nicole R. Myers and Julie McGee.

With Katherine Rothkopf, Nicole R. Myers is the co-curator of "Cubism in Color: The Still Lifes of Juan Gris" at the Dallas Museum of Art. Across more than 40 paintings, the exhibition explores how Gris brought color to cubism in still-life painting of striking vivacity. It is on view in Dallas through July 25 before traveling to the Baltimore Museum of Art. The outstanding exhibition catalogue was published by the two museums and distributed by Yale University Press. It's available for about $45 from Indiebound and Amazon.

On the second segment, Julie McGee discusses "David Driskell: Icons of Nature and History" at the High Museum of Art. The exhibition is on view through May 9. From Atlanta the exhibition will travel to the Portland (Me.) Museum of Art, the Phillips Collection in Washington, and to the Cincinnati Art Museum. The exhibition catalogue was edited by Jessica May and published by Rizzoli Electa. It's available for $40-50 from Indiebound and Amazon.

Episode No. 489 features art historians Debra Bricker Balken and Celeste Brusati. 

Balken is the author of "Arthur Dove: A Catalogue Raisonne of Paintings and Things," a thorough presentation that includes Dove's assemblages. Jessie Sentivan contributed to the book. It contains 537 illustrations, almost all of them in color, of each work Balken was able to identify, find, photograph and document. "Dove" includes a an essay on Dove's work and its criticial reception, as well as mini-essays on major works. Many of the materials and images in the book are published for the first time here. It lists for $125 via Indiebound or Amazon.

Dove is among the most prominent American modernists of the early twentieth century, a key link between the American nature tradition and abstraction.

On the second segment, Celeste Brusati discusses "Samuel van Hoogstraten’s Introduction to the Academy of Painting; or, The Visible World," a new edited volume on Hoogstraten's landmark discourse on painting, his experience in Rembrandt's studio, and engagements with optics, perspective, and philosophy. Brusati edited the volume; Jaap Jacobs translated Hoogstarten's text. Brusati is a professor emerita of art and art history at the University of Michigan. The book was published by Getty Publications. It lists for about $75 via Indiebound or Amazon.

Episode No. 488 features artist Alex Bradley Cohen and curator Ann Dumas.

The Nasher Museum of Art at Duke University has recently acquired Alex Bradley Cohen's 2015 For a More Just Future.

Cohen's paintings of people and places are often blendings of his personal relationships with art history. His work has been exhibited in "State of the Art 2020" at the Crystal Bridges Museum of American Art and The Momentary and at group shows at the University Art Museum at the University of Albany, the Art Institute of Chicago and the Studio Museum in Harlem.

On the second segment, curator Ann Dumas discusses "Hockney-Van Gogh: The Joy of Nature,"  which is at the Museum of Fine Arts Houston through June 20. The exhibition reveals how David Hockney has mined Vincent Van Gogh's paintings and drawings in ways that have informed his mark-making, compositions and more.

BONUS: Hear an excerpt from recent Bemis Center resident Lea Bertucci's forthcoming album "A Visible Length of Light!"

Episode No. 487 features curators Marshall N. Price and Elizabeth Finch, and artist Candice Lin.

Price and Finch are the co-curators of "Roy Lichtenstein:  History in the Making, 1948-60." The exhibition examines Lichtenstein's early work, with particular attention to Lichtenstein's synthesis of European modernism, American painting and contemporary vernacular sources. The exhibition is at the Colby College Museum of Art through June 6. For now, the museum is open only to current Colby students, faculty and staff. The excellent exhibition catalogue was published by Rizzoli Electa. Indiebound and Amazon offer it for about $33. From Maine, the exhibition will travel to the Parrish Art Museum in Water Mill, NY, the Columbus Museum of Art, and the Nasher Museum of Art at Duke University. Finch and Price are curators at Colby and at the Nasher, respectively.

On the second segment, Candice Lin discusses her work on the occasion of "Visionary New England" at the de Cordova Sculpture Park and Museum in Lincoln, Mass. The exhibition, which was curated by Sarah Montross, jumps off from New England's embrace of visionary and utopian cultures in the nineteenth and twentieth centuries -- think Brook Farm, Fruitlands and experimental psychology -- to look at how artists address some of the same ideas. It is on view through March 14.

Lin's work examines trade routes and material histories as part of her investigation of colonialism, racism and sexism. Her first solo museum show will open at the Walker Art Center in Minneapolis in August before traveling to Harvard's Carpenter Center in 2022.

Episode No. 486 features artists Baseera Khan and Amy Franceschini of Futurefarmers.

Kahn and Futurefarmers are among the artists included in "Climate Changing: On Artists, Institutions, and the Social Environment" at the Wexner Center for the Arts in Columbus, Ohio through May 9. The exhibition looks at how artists engage with social issues and how they may shape institutions at a time when both racism and a global pandemic have caused many institutions to re-consider their construction and practices. The exhibition was curated by Lucy I. Zimmerman. "Climate Changing" features nine artworks commissioned by the Wexner, including work Torkwase Dyson discussed on the program last September.

Baseera Khan addresses colonial histories, exile, place and displacement, and belonging within the context of capitalism and its impacts. Their work takes many forms, including performance, sculpture and, soon, a TV pilot produced during a recent residency at The Kitchen in New York City. Later this year they will have their first museum solo exhibition at the Brooklyn Museum.

Futurefarmers is an ever-changing design studio and collective that supports art projects and research interests. Founded in 1995 by Amy Franceschini, the group has focused on using projects to propose alternatives to present social, political and environmental constructs. Futurefarmers' project "Seed Journey" is included in "Climate Changing." Initiated in 2016, "Seed Journey" is a collaboration between Futurefarmers and local farmers and scholars to return heirloom grain seeds to their native lands. It began with a voyage from Oslo, Norway to Belgium, and expanded in subsequent years to include other seeds, nations and continents. 

Episode No. 485 of The Modern Art Notes Podcast is a holiday week clips episode featuring former curator and historian Kelli Morgan.

Earlier this week, Charles Venable, the director of Newfields, the institution formerly and best known as the Indianapolis Museum of Art, resigned in the wake of the museum's publishing a series of racist job postings via the executive search firm m/Oppenheim. Once its racism became a national news story and after Venable resigned, Newfields released an institutional apology that said, "We are sorry. We have made mistakes. We have let you down. We are ashamed of Newfields' leadership and of ourselves. We have ignored, excluded, and disappointed members of our community and staff."

The final event that instigated change in Indianapolis was a letter that called for Venable's resignation and major board reforms that was signed by 85 Newfields staffers. The instigating event of the public crisis at Newfields was the resignation of curator Kelli Morgan last summer. Morgan departed the museum via a much-circulated letter that specifically addressed the museum's racism and dedication to whiteness. Just before resigning, Moran she published an assessment of the art museum field titled "To Bear Witness: Real Talk about White Supremacy in Art Museums Today" in multiple venues, including in Burnaway and the Indianapolis Recorder. 

Just before Morgan left Indianapolis, she joined host Tyler Green to discuss the challenges and opportunities within presenting permanent collection galleries of nineteenth-century American art when most American art museums’ collections of the period consist of primarily white artists. This week's episode is a re-airing of that conversation.

Episode No. 484 features historian Deborah Willis and artist Leidy Churchman.

Willis is the author of "The Black Civil War Soldier: A Visual History of Conflict and Citizenship," which was just published by New York University Press. The book joins 99 photographs of Black Civil War soldiers and Black men and women who served within military regiments with primary source materials such as letters in an effort to provide a fuller picture of how Black men and women fought the war. Indiebound and Amazon offer the book for about $35.

Willis is University Professor and Chair of the Department of Photography and Imaging at the Tisch School of the Arts and Department of Social & Cultural Analysis at New York University. She has written or contributed to at least 28 books, has won two NAACP Image Awards and a MacArthur 'genius' fellowship. Just this week the College Art Association awarded her its 2021 Distinguished Lifetime Achievement Award for Writing on Art. 

On the second segment, Leidy Churchman discusses their work on the occasion of "FOCUS: Leidy Churchman" at the Modern Art Museum of Fort Worth. The show was curated by Alison Hearst and will be on view through March 21.

Churchman's paintings address a seemingly endless array of subjects, and in so doing take on the infinite abundance of images in modern society. The Hessel Museum of Art at Bard College has hosted a survey of Churchman's work; they have been included in group shows at museums such as the Museum of Contemporary Art, Los Angeles, and the New Museum and MoMA PS1 in New York.